Maurizio Nichetti

Buona la prima! is an Italian television series.

After withdrawing to the Chateau Marmont, a passionless Hollywood actor reexamines his life when his eleven-year-old daughter surprises him with a visit.

A TV series composed of eleven episodes and a conclusion, it aired in six one-hour programs starting on October 6, 1985. Lasting about half an hour each, the episodes are separated by intermissions starring three characters: Good, Evil, and Destiny. LA MORTE PORTA CONSIGLIO: At her father's deathbed, a daughter asks the man to tell her the winning Lotto numbers once he makes it to the after-life. But the man is offended by the modest funeral he receives and has fun playing pranks on his daughter. IL FATTACCIO: a doorman is paid to show an apartment in which something gruesome happened. Determined to keep the extra work, he invents increasingly grisly stories to keep interested buyers away. LADRI: two thieves in a working-class neighborhood have tragicomic adventures. L’IMBIANCONE: a very shy man enters a shoe store to buy a pair of shoes and seduce the female shop owner.

Mammamia! is an Italian television series that aired between 2003 and 2004 , written and directed by Maurizio Nichetti. The series unfolds in thirty episodes of eight minutes each, and no dialogue. The heroine is Angela Finocchiaro, who plays the part of a mother struggling with the problems of the daily life of her children of 4, 7 and 13 years.

The story follows Giuliano, whose life has improved thanks to his working from home, but his colleagues’ poor performance threatens to force everyone back to the office. Meanwhile, he and his wife, Laura, are expecting a second child and are looking for a bigger home. As Laura makes up her mind about a controversial job offer, Giuliano’s co-workers turn their flat into a makeshift office, rekindling their efficiency and organisation. Amid intrusive co-workers and domestic chaos, Giuliano will have to find creative solutions to save his job, his family and the dream of a new home.

A collection of European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

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Love blossoms between crusader Bradamante—a woman knight wearing an invincible suit of armor—and Moorish prince Ruggero. But a sorceress predicts to Bradamante her beloved will die in battle at the hand of fellow Christian paladin Rolando, whom in turn is in love with Isabella, Ruggero's sister.

The Manzoni High School in Milan is the worst in Italy. When the percentage of those promoted falls to 12%, it's time for the last resort: to entrust the classes to the worst of the available teachers.

Despite being penniless, Antonino Scannapieco possesses a convincing eloquence. Having obtained money from friends to travel to Rome to consult a luminary about his dandruff problem, he sets off for the capital, where various misadventures await him.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Dodo, a French man living in Florida, has one goal in life: Get by without working. Difficult to implement without the help of some women. Betty is one of them, and a gypsy's bride, who suddenly disappears, changing Dodo's life.

Snowball, a dolphin, gets into trouble when it swallows a bottle with the records of pension payments owed to Billy Bolla, an aged cruise ship entertainer. If the performer cannot quickly catch Snowball and induce him to produce the papers, he will have no retirement.

Having recently earned his college degree, Lorenzo Primavera (Eddie Malavarca) leaves his home in Boston to travel to his family's ancestral homeland in Italy -- as was requested by his late grandfather. Upon arriving, Lorenzo is offered a short-term position as coach for an American-style football team by the team's manager, Giulio Fellini (Maurizio Nichetti). As the young American immerses himself in his new duties, he makes the acquaintance of Paola Angelini (Violante Placido) and the two begin a friendship that quickly blossoms into something more. In between spending time with Paola and working with the team, Lorenzo also begins investigating his own family's history and learns the reason for his grandfather's departure from Italy, as well as why his grandfather never returned to visit. As Lorenzo begins to forge an identity for himself in Italy -- not to mention strong romantic attachments to Paola -- he must eventually decide whether or not to return to the States.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.

During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...

The fake report about Troisi's death, with the direction of Troisi himself with Lello Arena and Anna Pavignano. A long of list people greet the comediam, from Gianni Boncompagni to Maria Giovanna Elmi. There is also Benigni, hidden behind a window, and Arena, his guardian angel.

Arturo loses his tech job to an algorithm he created and ends up working as a delivery man, monitored by an unreasonably strict app. His only solace comes from Stella, a hologram-for-girlfriend whose free trial is running out. Unable to renew the subscription due to his financial uncertainty, Arturo decides to take a stand.