Jean Beaudin

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

Tommy is bitten by a werewolf during a camping trip a week before the start of his senior year. After becoming a werewolf, he fights against supernatural entities to keep his hometown of Pleasantville safe.

Viens voir les comédiens is a television show on the Canadian French-language arts and culture television network ARTV.

A classic Québécois historical drama about Émilie Bordeleau, a strong-willed woman in late 19th/early 20th century rural Quebec who defies expectations by becoming a teacher, then faces challenges in her passionate but tumultuous marriage to the restless lumberjack Ovila Pronovost, exploring their struggles and the evolving society.

In the mid-18th Century, as England and France battle over control of Canada, an epic romance between a peasant woman and a trapper unfurls

The story of a Polish family during the Second World War.

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

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In a brand-new documentary, the actress who portrayed the unforgettable Émilie Bordeleau revisits her memories of filming and analyzes the cultural legacy of this cult saga. By exploring the timeless power of its characters, she testifies to the major impact this work has had on the collective imagination and on the history of Québec television.

The relationship between lovers Yves and Claude comes to an abrupt conclusion when, as the couple are making love, Yves slices Claude's throat, killing him. After being taken into custody for his crime, the police inspector demands to know the reason behind Yves' actions. Yves then weaves the tale of his life with Claude, explaining the origins of their relationship and how it reached a point where murder was the only possible conclusion.

The detective Maud Graham hides her sensibility behind the image of a strong and independant woman. She frequently offers her hospitality to a 16-year-old prostitute, Grégoire, a young man who became her friend. But when the teenager decides to invite a 12-year-old boy who is running away from home, Maud is near illegality. In addition, the detective has to deal with a serial killer who had already killed and mutilated many women. When she understands that the killer is very intelligent and organized, she elaborates a strategy to arrest him. There starts a dangerous game where the two teenagers that Graham is protecting will be implied. The killer is getting closer, revealing more and more of his madness.

Edited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.

Between her four children, her husband, her job at the hardware store, and the creditors on her back, Hélène leads a life that dangerously resembles a makeshift camp in a constant state of emergency. She muddles through as best she can.

The story, in three stages, of a friendship between three guys. They have taken different paths, but find themselves equally faced with the failure of their lives. The parody is not exempt from what remains a fine analysis of behavior and environment. For these three Quebecers are, in a way, us, as we have been rendered by a society in search of itself.

In this French Canadian drama, the life of a paraplegic painter implodes when an old girlfriend comes back into his life and accuses him of raping her 15 years earlier.

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

During a brief stay in Florence, Camille believes she's victim of an enormous flood. Urgently taken to a psychiatric hospital, she is diagnosed with the Stendhal Syndrome: a temporary psychological disorder well known to affect tourists who are too vulnerable to the beauty of art work. This disorder which is considered benign doesn't worry the medical staff who asks that she be sent back to her country. Back home, she has to come to terms with a tragedy she has wanted to flee: her mom had gone missing right before her departure. Convinced that she has to move on with her life for her mental sanity, Camille decides that it is time to accept the fact that her mother will never come back. But when she goes to Matane, the last place where her mother had been seen alive, Camille comes across many clues that will propel her into an emotional roller coaster.

Florent Boissonneault and his young wife Elise always had one dream: own a restaurant. When they meet a strange old man, Egon Ratablavasky, their dream become reality, but only to quick turn into a nightmare when they sadly discover they had been tricked by him, and lost everything. But their dream is not dead, and a strong desire of avenging soon bring them back in business, with the help of an homeless kid, a french cook and a friendly journalist. But the old man still had trick on for them his bag...

Set during summer in the Îles-de-la-Madeleine of Quebec, Mario and Simon are two brothers living in a fishing village with their mother, who runs a grocery story, and their father, who runs a fishing business. Mario is ten years old, mute and autistic. He is withdrawn from reality and living in a surreal world that only his older brother Simon and his stuffed coyote share. Mario is very close with and deeply admires his 18 year old brother, whom he depends upon for love and attention. Simon reads Arabian Knights stories to Mario, dresses him in sheik's clothing and they play out imaginary wars in an Arabian style fortress that they built. Everything changes when Helene, a beautiful young tourist comes between the two brothers. Simon falls in love and begins to neglect his brother to spend time with her. Mario feels rejected and discovers what hate and jealously are. He sets about a chain of events that lead to tragedy.

When his friend suddenly commits suicide, reporter Paul senses something strange about it. When he starts investigating, a series of sinister events leads him to a deadly Satanic cult.