Kamil Švejda

A Czech medical television series that focuses on an emergency department. Each episode follows cases inspired by real-life stories and the cases of patients and healthcare professionals.

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A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

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Standa Pekárek has three wishes in life: to drive a volga, to drive for the Humour and Folk Entertainment editorial office and to drive Got'ák. The five-part miniseries Volha is an adaptation of the novel of the same name by Karel Hynia, written in an extraordinary, bizarre and precisely echoed language. It can be perceived as a peculiar history of Czechoslovak television with a number of incredible, albeit real, "stories from the set". At the same time, however, it is a portrait of its main character - a limited egocentric who excels in inventing small tricks and deceptions - how to steal petrol, fake mileage, cheat his wife, get rid of the competition. Logically, he then also becomes a StB collaborator (with the code name Volha) who informs on all his co-workers and passengers without any remorse.

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Divorced man Ludek is surprised when he reconnects with his brother after several years.

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Marek lives alternately with two women. He tells them both that he works in another city for part of the week. In reality, he stays in the same and moves from apartment to apartment. This works perfectly until one morning he wakes up in the wrong flat.

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

Pavel has bad luck with women, and he has only himself to blame. He is unassertive and shy. He lives more in his imagination than in the real world. The only place where he is not afraid to approach women is behind the wheel of his car. And so he drives around the countryside picking up female hitchhikers. Here he is in control of the situation—a confident young man with a rich imagination. Now all that remains is to choose the right one. But hitchhiking can be dangerous not only for girls on the road, but also, under very specific circumstances, for those who pick them up. And Pavel has always been unlucky...

This unofficial Czech remake of Alexander Payne's blockbuster seriocomedy Sideways (2004) concerns Jirka and Honza, two friends who check in as complete opposites on every level; Honza is a polished urbanite, Jirka a nickel-and-dime crook with a flair for wooing women. The men's friendship is characterized by an unending series of wild schemes and escapades. When Honza learns of his grandfather's impending death, it brings him face-to-face with his own mortality and encourages him to fulfill his long-held dream, while he still has the opportunity: to embark on a dream vacation to the vineyards of Morovia, with buddy Jirka in tow.

Fogi is enjoying his never ending puberty. But simultaneously Fogi is also trying to live up to his family duties and bring up Véna, his son from the first marriage. He did not get married again but lives with Jana, a post office employee. Together they have little Anicka and they all live in a flat in a small town. At first, Jana is trying to tolerate Fogi's moods, but her patience is running out. Fogi loses his job. On top of that he starts to see himself in his adolescent son and realizes with horror that Véna repeats his own mistakes. The first fights, bans and mutual misunderstandings are approaching.

The film tells the story of the relationship between a mentally disabled uncle and his nephew, whom fate brings together at a certain moment, gradually forming a bond between them that is a demonstration of the strength and "power" of friendship. This is then put to the test by those who, for various reasons, try to separate them. Among other things, the film is a confrontation between the two main, innocent protagonists and those who lost their innocence long ago and are guided primarily by what can benefit them, often at any cost.

The staff at the White Cat Inn watch with concern and suspicion as Johan, the postman, pays frequent visits. This dapper, suave gentleman persistently courts Kristýna, the widowed innkeeper, even though he otherwise despises the locals. Kristýna's son Vítek dislikes him. And even more so when Johan tries to drive his pet and protector of the inn, the white cat, out of the house! Vítek, Kristýna's servants, and her friend, the poacher Prokop, are determined to get rid of Johan or at least make his life miserable. And things start to happen at the inn...

Three "retired" punks with wilted mohawks and their corpulent female companion spend their time drinking beer and chatting, uncompromisingly condemning Western civilization. Since they claim that freedom is their highest imperative, they decide to kidnap Kisoro, a teenage gorilla from the zoo, "so she can menstruate freely." However, after the "rescue mission," they begin to prostitute her in zoophilic porn on the internet...

When self-help guru Dr. Reinis (Jaroslav Dusek) led his students on a retreat to ponder the meaning of life, he had no intention of leading them all to their doom. But when gut-munching zombie woodsmen emerge, the group finds itself locked in mortal battle. Alternately sickening and silly, this gruesomely hilarious Czech horror flick co-stars Jan Dolansky, Eva Nadazdyova, Anna Fialkova and Eva Janouskova.