Acting
A magician/official has to solve a murder. He finds the case too unclear, so he goes to Hades to find the truth in Hades' "records file".
Lost Taiwanese monster movie about a giant frog.
An early romantic comedy starring Brigitte Lin.
The daughter of a queen and a comet is abandoned by her family. One day, she comes across a prince fighting a multi-headed dragon and falls in love with him. However, some wizards try everything to keep them apart.
A troupe of traveling performers stop in a small town. However, the general who controls the town has designs on the group's leading actress. They must figure a way to get out of town before the general has his way with her.
No description available.
Spy films had always been popular in Chinese-language cinema, with stories set mostly in WWII or the warlord era. The Tender Trap of Espionage, made two years before Dr. No (1962) which kickstarted the Bond film craze, is a story of intrigue between spies and counterspies within the Japanese Occupation force. The film was shot in Taiwan, offering unique visages, with cat-and-mouse mind games set in motion against trust, betrayal and seduction. Based on the British film The Two-Headed Spy (1958), future action maestro Chang Cheh wrote the script while husband-and-wife team Lo Wei and Lau Leung-wah star together as agents, with Lo doubling as director.
Flower Just Smile in the Spring Breeze is a Taiwanese Romance starring Alan Tam
Dr. Huang runs a clinic. One day, Mr. Chen moves to next door and opens a Chinese medicine clinic. In the beginning, the two families get along fine and Chen’s son and Huang’s daughter like each other. But when Mrs. Chen proposes the marriage to Dr. Huang, the conflicts between the families explode.
Lau Leung-wah plays the titled character, a Chinese Robin Hood who robs the rich to help the poor. She is an early Republican Era Mulan, who switches effortlessly between charming gentility and agile ferocity, and Lau personifies her character's duality with a balance of grace and vigour. Chang Cheh, on the verge of fostering seismic changes in cinema with his martial-arts machismo, pens a script that captures the spirit of changing Chinese womanhood, underscored by a conflict between Black Butterfly and her father, a veteran detective.
