Aitziber Olaskoaga

Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.

A film about now, a time when women are tired to choose between having kids and their careers. Days in which anomalies in the reproductive system are celebrated instead of stigmatized.

In a not very distant galaxy, an empire will try to nail their flag.

“a” works for nike.com in a Call Center in Amsterdam. Unmotivated and alienated, she decides to quit her job and return to her hometown in the Basque Country. During her last weeks at the company, she video documents the many spaces that make up the building, records her co-workers and often takes self-portraits of herself while eating alone. Her chat texts with “k” introduce us to a decaying sentimental relationship.