Lía Dansker

Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.

A family man is visited by an old friend who brings with him a strange amulet that has the power to grant three wishes to only three men. The mysterious friend leaves the family in charge of the amulet, warning them of the dangers of using it, but when the father decides to make his first wish, tragedy strikes.

The annual short film competition for directors organized and produced by the INCAA presents ten new works.

Two friends walk together through the city and through their moods, ignoring everything that happens around them; the universe closes for each one in her lament, in her monologue of love. In this recurrence the reason for the pain is emptied and only the trace, the desolation, remains.

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A recently arrived Paraguayan illegal immigrant in Buenos Aires turns to a cousin who supports her alcoholic and abusive boyfriend.

Far from being a heroic story or a rational explanation, this film is a polyphonic composition where the proper noun -- Antonio Gil -- is the signifier around which multiple and heterogenous stories come together. A mosaic of campesino voices, like a choir with its own peculiar cadence, narrates the myth's construction over the course of the 20th century, and accompanies us on a visual journey through its celebration.