Mihály Víg

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

A trip nearest to the boundaries of life and death: back and forth.

A surrealistic-grotesque vision about the unlimited adventures of human mind in space and time.

A look at the monotonous daily struggle of a father and daughter in a windswept, desolate landscape. Over six days, their routine of eating boiled potatoes and tending a failing horse crumbles, symbolizing a slow descent into darkness, emptiness, and the end of existence.

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

The three stories within Genesis explore the notion of family: a woman in her late thirties rediscovers the faith she lost as a child; a mother goes to extreme lengths to ensure that her daughter is saved from the fate she was forced to endure; a Roma boy’s family are killed and the perfect world of his childhood is destroyed.

Black and White Short. Featuring collage centered around a drive through the country.

Twenty-five films from twenty-five European countries by twenty-five European directors.

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

A cultural history of ventriloquism disguised as a sci-fi TV series, integrating live actors with vintage and artist-made puppets. The Case of the Vanishing Gods is a fiction-doc hybrid that traces the phenomenon of ‘throwing voices’ from the oracles of ancient Greece to the spectacle of the modern horror film, and pushes the essay film into exciting new territory.

Maria is accused of her husband Victor’s death. She is prepared to confess to everything, but only after her husband’s funeral. The investigator, who is engaged to Maria and Victor’s daughter, discovers the truth and realises why she has decided to punish herself.

In a bleak dystopian world, a brother and sister have to fend for themselves, finding fleeting moments of joy on a dilapidated carousel.

In this dense setting, the inhabitants of a large, claustrophobic apartment reveal their darkest secrets, fears, obsessions and hostilities.

Director Janos Xantus was in the middle of making a video about Hungarian rock star Tamas Pajor when his subject suddenly became a convert to born-again Christianity. As a result, Xantus was able to record the startling transition. Pajor had been a hell-bent rocker, heavily into drugs, and known for a violent temper. We see him become a clean-living, clean-cut youth who sings about Jesus. Xantus had captured pre-conversion tape of Pajor trashing a hotel room and punching his hand through a plate glass window. In one of this film's most effective scenes, the new Pajor, hand heavily bandaged, quietly watches this footage. Rock Terito also has some dramatic recreations, but these add little to our understanding of Pajor. The transfer from video to film was generally effective, but some scenes are murkily lit. ~ Clarke Fountain, Rovi

In socialist Hungary, during the early 1980s, underground art flourished. In this often loud, heroic, and emotion-rich world, Vig Mihály, a key member of Balaton/Trabant, represented lyricism, intimacy, and internal journeys. He composed music for the films of János Xantus, András Szirtes, and Ildikó Szabó, and later became the regular composer for the world-renowned director Béla Tarr (and was even given a lead role in the 1994 film Sátántangó). In the documentary film, he speaks about his life, the atmosphere of the era, people associated with alternative culture, and his relationship with them, in an extremely personal and detailed way. We learn his thoughts on literature, music, film, and, in general, the world. He is a relaxed, funny character who is aware of his own limitations, does not deny the darker sides of his personality, but is able to look at his fate with satisfaction.

The film is about a piano player who falls in love with Mari, a beautiful blond woman, who happens to be the wife of a deaf-mute animal caretaker. Both men adore Mari, as she loves both of them. Albeit all of them know this way won't stand.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

The last ship (Utolsó hajó) is leaving the quay. Sirens are sounding.