Mihály Víg

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

A look at the monotonous daily struggle of a father and daughter in a windswept, desolate landscape. Over six days, their routine of eating boiled potatoes and tending a failing horse crumbles, symbolizing a slow descent into darkness, emptiness, and the end of existence.

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

A cultural history of ventriloquism disguised as a sci-fi TV series, integrating live actors with vintage and artist-made puppets. The Case of the Vanishing Gods is a fiction-doc hybrid that traces the phenomenon of ‘throwing voices’ from the oracles of ancient Greece to the spectacle of the modern horror film, and pushes the essay film into exciting new territory.

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

The three stories within Genesis explore the notion of family: a woman in her late thirties rediscovers the faith she lost as a child; a mother goes to extreme lengths to ensure that her daughter is saved from the fate she was forced to endure; a Roma boy’s family are killed and the perfect world of his childhood is destroyed.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short lyric poems by Hungary's national poet Sándor Petofi.

János Baksa-Soós, aka Prince January. A man who influenced those who influenced us. “Sometimes you have to make time for a whole life!” he said. He did, and we explored his incredible life. Starting from Zoltán Kodály, we fly over downtown KEX concerts, dive into the deepest recesses of Berlin punk and end up who knows where. Somewhere in the cosmos.

A coin always has two sides... Károly and Zsolt are best friends, rivals, and mortal enemies at the same time- so they're inseparable parts of each other's lives. After graduating from college, they grow apart but after more than two decades, their paths are crossing once again. The jobless and desperate Zsolt appears on the doorstep of Károly, who is struggling with his mid-life crisis. Their unexpected reunion sets up a chain of events that could potentially destroy not just them but everything the two men hold dear.

In socialist Hungary, during the early 1980s, underground art flourished. In this often loud, heroic, and emotion-rich world, Vig Mihály, a key member of Balaton/Trabant, represented lyricism, intimacy, and internal journeys. He composed music for the films of János Xantus, András Szirtes, and Ildikó Szabó, and later became the regular composer for the world-renowned director Béla Tarr (and was even given a lead role in the 1994 film Sátántangó). In the documentary film, he speaks about his life, the atmosphere of the era, people associated with alternative culture, and his relationship with them, in an extremely personal and detailed way. We learn his thoughts on literature, music, film, and, in general, the world. He is a relaxed, funny character who is aware of his own limitations, does not deny the darker sides of his personality, but is able to look at his fate with satisfaction.

A 5 minute dolly shot of people waiting in line for food filmed in beautiful black and white accompanied by music by Mihály Vig. This short was Béla Tarr's contribution to the Visions of Europe project.

The film brings together various everyday and relationship stories from Budapest that at first glance have nothing in common. A sequel to Fliegauf's 2003 film 'Forest'

In this dense setting, the inhabitants of a large, claustrophobic apartment reveal their darkest secrets, fears, obsessions and hostilities.

From the music of Hungarian composer Mihály Vig , Georgian filmmaker Koberidze, Alexandre crafts a story of pixelated dogs on a ledge. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

Black and White Short. Featuring collage centered around a drive through the country.

A documentary about the making of The Turin Horse, the last film directed by Hungarian master Béla Tarr.

A trip nearest to the boundaries of life and death: back and forth.