FEEL IT.STREAM
Luciano Emmer

Luciano Emmer

Directing

Biography

Luciano Emmer (19 January 1918 – 16 September 2009) was an Italian film director. He was born in Milan, but most of his childhood lived in Venice. He started as filmmaker at filming Giotto's frescoes in Padua in 1938. Screenwriter Sergio Amidei, found the finance for Emmer to make a feature about Romans spending a Sunday in August on the beach at Ostia. He won a Golden Globe in 1951 for Pictura: An Adventure in Art. He has directed more documentaries than fiction pictures, most notably Domenica d'agosto and the romance-comedy-drama Three Girls from Rome. Luciano Emmer started his career as a filmmaker working with Enrico Gras. He founded the production company Dolomiti Film and directed several documentaries. In 1949, Emmer produced his first feature film Dimanche d'August (1950) with Marcello Mastroianni. Also with Mastroianni, the following year he made Paris is always Paris (1951). In the 1950s, Luciano Emmer made advertising films meanwhile he continued with his documentary work. He was labeled as an example of the Italian pink neorealism. In 1956, Emmer directed with Robert Enrico To Each His Own Paradise. After The Girl in the Window (1961), a social drama with Marina Vlady and Lino Ventura, he turned to television. He made his return to the cinema with Enough! I make a movie.

Known For

Incontrare Picasso

Half a century after his documentary on Picasso, which was cut into various short films in Italy in order to distribute it more easily, Emmer returns to his own material to re-appropriate it and transform it: it would no longer be the asymmetric tale of an anonymous filmmaker who observes the genius painter in amazement, but a work created in complicity between the two authors reflecting on their two expressive means. It is half a tale that finally takes on the form sought by Emmer (the tale of a pigeon between two wars), and half a processual film in which we see Picasso create a mural that only exists in this film. Incontrare Picasso (Meeting Picasso) with the voice-over in the first person points towards the full expository and discursive authorship of Emmer’s two main essays: Bella di notte and Con aura…senz'aura.

Incontrare Picasso

2000Movie