Directing
In 1974, a child begins drawing lines on paper, anticipating the thrill of playing a video game. This film captures the essence of that moment, staying true to the act of drawing as if playing a game . As lines transform into sprites, the film evolves, creating a sense of movement and excitement, reminiscent of the classic arcade experience.
cosmos-war-finally-love is a triptych about sequential and spatial indeterminacy. Linearity imposes a closed and rigid hierarchy of sensory organisation based on a fixed, external, geometrically positioned observer and narrative. Cosmos-war-finally-love incorporates the nebulous and swarming character of indeterminacy and ambiguity as opening to expand the plasticity of our transmodal connections, ultimately activating expanded telepathy.
Music for a missing film (MFMF) concerns memory. Its research questions explore experimental modes of reconstruction and restoration; its conceptual issues mirror empirical questions. Conceptually: how, through an experiment in audio-visual composition, using filmic ruins (El Huerco 1962) and preserved score, could its cultural/political moment re-acquire elements of its lost texture?
Cyberspace grows without limits, yet mental time is not infinite. Webcam Star Alan do Oro opens up a world to come, where flesh, sexuality and intimacy meet the immense possibilities of cybernetics and the posthuman. Sensuality is in slowness, and the space of information is too extensive and fast to elaborate upon it intensively and deeply. At the point of intersection between electronic science fiction and organic cybertime lies the fundamental matter of contemporary porn. Performed by Alan do Oro.
