Marian Harasimowicz

Nikodem Dyzma immigrates from the eastern part of Poland to the capital in the hope for possibilities to make a living. He is in need, very poor and forced to look for basic food and shelter. Yet, on a day when an unexpected invitation appears, his life changes dramatically.

A famous surgeon is beaten by drunken bullies, loses his memory and cannot recollect who he was before. He gets to a village, lives in a not so well to do family and becomes the Quack - he slowly regains his talent for medicine and saves the lives of several village patients.

October 1934. Poland. Famous bank robber Kwinto decided to quit his dangerous criminal job, but after his friend's death, he changed his mind and organized a burglary of famous and well protected bank which belonged to his former partner in crime, backstabbing and double-crossing Kramer. Kwinto designs a clever plan not to only rob the Kramer's bank but to make it look like Kramer himself did it.

No description available.

A young Varsovian runs away from the Nazi’s attack on the East. He falls into the hands of the NKVD. Suspected of espionage, he ends up in a camp in Siberia. He will spend the war in a psychiatric hospital.

A young man from the countryside fights against all odds to fulfill his dream of becoming an actor.

King Jan Kazimierz, Mazepa, a young Cossack from the king's entourage, and Zbigniew, the voivode's son from his first marriage, are all in love with Amelia, the voivode's wife. Dramatic coincidences and misunderstandings lead to a tragic ending. Zbigniew commits suicide, Amelia dies, the voivode orders Mazepa to be captured, stripped naked, and tied to a horse, after which he releases him, while he himself kills himself with a dagger in front of the king.

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

After a disaster in the mine, Łopot, a technician, protects the perpetrator. He soon faces a moral dilemma.