Jarosław Gajewski

Ekipa is a Polish political drama TV series created and directed by Agnieszka Holland, aired from 13 September 2007 until 6 December 2007 on Polsat. Ekipa is the second Polish political fiction series after the 1980s miniseries The Career of Nicodemus Dyzma.

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A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a 'war hero' and eventually becomes a Hitler Youth.

A documentary series about heroines of the II World War. Stories told from the perspective of the characters are full of emotions and tension, they show courage, sacrifice, willpower but also recklessness or pragmatism. Characters of the series are not flawless monuments but regular women with their own problems, who happened to play an important role in the history. The visual style of the project is animadoc. It comprises archival materials, interviews with experts, and sequences of fictionalised scenes: shots stylised as comic frames, where an actor is connected with scenography hand-drawn by comics illustrators.

Journalist Anna is trying to make a documentary about an opposition activist she met years ago.

The film is based on the well-known, translated into many languages novel of writer Pawel Huelle. It is imbued with nostalgia and the atmosphere of mystery story of a group of children, fascinated by the figure of a man named David Weiser.

A unit of the People's Army celebrates the moment of liberation of the country. They remember the times of occupation, the actions they took, and their fallen colleagues.

It's the early 1990s. Frik (Szymon Bobrowski), Kurtz (Przemysław Sadowski), and Piki (Aleksander Semchev) are childhood friends. They started out selling waste paper to collectors, then began searching for new ways to make money. They only began doing real business on the fledgling Polish stock exchange. In the space of a few months, they make their first million. Along the way, they run afoul of Kajzar (Jarosław Gajewski), a prominent underworld figure operating on the stock exchange. The friendship of Frik, Kurtz, and Piki is put to the test, as the former two compete for Dominika (Agnieszka Warchulska), with whom they have had a crush since childhood.

Olive is the daughter of a millionaire, spoiled by her loving dad, who fulfills her every whim. Deep down she dreams of true romantic love. Her best friend Jadźka tries to match her at every turn. Just like her friend she ends up with the wrong men. Their search for love is woven into the story of an unusual film production. Despite having no experience, the girls become producers. What will come out of this? Agnieszka is a star of soap operas, a top actress who has already achieved "everything" at a young age. She has fame, money, a boyfriend. She runs away from the set, swaps her limousine for a toddler, abandons her man. Is this just a star's fad? Meanwhile, a huge casting is organized in Plock, thousands of people come together. Everyone wants to present themselves as well as possible.

Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple's aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals...

Różewicz's play from 1968 is rather a dramatized picture, closer to the open formula of poetry than to the traditional dramatic structure. This is an important voice of a poet concerned about the future of the world. The drama shows a civilization threatened with extinction, dominated by consumerist ideals, mental emptiness, disappearance of authorities and moral decay. The title character symbolizes life, energy and the immutability of the basic laws of nature. In Barański's staging, he moves in a wheelchair. The piece consists of two parts. The first takes place in a botanical garden, the second in the scenery of a huge junkyard, which symbolizes modern civilization.

A well-known wheeler dealer joins the underground opposition to avoid responsibility after stealing valuable coins. When he is released from prison, he sets up a private bank with high interest rates together with a Security Service colonel. However, the colonel has bigger ambitions.

After killing her husband, the beautiful but cunning Lulu evades justice with the help of the people that are in love with her. A Polish teleplay of Frank Wederkind's play that adapts the second part of the story.

The unusual bond between a blind female writer and an acclaimed poet changes their lives and forms an exceptional creative cooperation, free of politics and the complexities of mundane life.

Alex is a young boy who grew up without the warmth of a family home. He is lonely and lacks money. He is in love with his college friend, Maja, without reciprocity. However, the girl decided to get involved with a wealthy man from the criminal world. Meanwhile, as part of his student internship, Alex takes care of a former employee of the Security Office, Franciszek Kozar. The elderly and sick man suffers greatly. His only desire is euthanasia. For some time, Kozar has been persuading his guardian to help him commit suicide for a few thousand dollars. Finally, Alex agrees. His financial situation improves significantly. With the money he earns, he rents a luxury apartment and changes his lifestyle. From then on, he decides to provide services to people who want to end their lives but are unable to do it themselves...

In a Polish-Jewish village, pious student Chanan, captivated by Kabbalah, falls in love with Leah, the rabbi’s daughter, but is forbidden to wed her and dies invoking the Ineffable Name - returning as a dybbuk (possessing spirit) at her wedding. Only after a mystical “trial” reveals a centuries-old vow binding their souls does the revered Rabbi Azriel exorcise the dybbuk, freeing both Leah and the restless spirit.

An adaptation of Waldemar Lysiak's novel. The entire plot takes place during a long and dramatic night, in a single room that becomes a cage with no way out for the participants. The intrigue is played out in dialogue between thirteen characters. Each of them, while talking to the others, faces his own fears at the same time, fenced off from the other participants of the supper by the barrier of his own ego. The situation is without a way out - everyone will pay the price for what happened that night.... "The Price" is a thriller, at the same time being a psychological novel that keeps you in suspense until the conflict is resolved, but certainly not ended.