Mike de Leon

Julio, a young fisherman from a provincial village, descends into social alienation as he arrives in Manila to search for his loved one.

During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"

Sid Lucero, a 21-year old pre-Med student, is an aspiring neophyte of the Alpha Kappa Omega fraternity. Over a six-month initiation period, he and six other neophytes are subjected to severe physical and psychological torture in and outside the fraternity house.

Flashbacks encompass the history of the Philippines as well as the life story of the elderly Daniel Aguila. The Aguila family gathers to celebrate Daniel's 88th birthday, but the old man is nowhere to be seen--he has been missing for a decade. Suspecting that his father is in Mindanao, one of his sons takes off for that region in a determined search. Along the way, his memories of the nation and his father's life tell the story of 80 tumultuous years of personal and historical development.

In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

A nun who acts as a counselor in a home for unwed mother undergoes political awakening when her friend and namesake belonging to the same congregation as hers inspires her to get involved in the struggle for justice and freedom of striking workers in a cooking oil company.

Two filmmakers try to create a film venturing on the life of Jose Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Fr. Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.

A compilation of film clips featuring dance and song performances culled from various films of the so-called big three - Sampaguita, LVN, Premiere.

A young woman gets married but her authoritarian father refuses to let her out of his sight.

A drama of the personal saga of a young man struggles with the contradictions within his own social class and the demands of a dysfunctional political family in the Philippine Islands.

A coming-of-age story of college student Joey, who's lost all sense of direction. His only inspiration is music, but he is yet to finish writing a song. His life changes when he meets Ana and his world is suddenly turned upside-down.

Making-of documentary about Lino Brocka's 1975 film "Manila in the Claws of Light," featuring interviews and behind-the-scenes footage.

Noel struggles to accept his father's remarriage to Agnes and the arrival of his step-sister, Melody. The two grow up harboring a bitter hatred for each other. When their parents die, Noel becomes Melody's legal guardian, much to her dismay. Later, each now married, the two become business partners and eventually grow closer.

Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”

During a return to his provincial home, a young man gets involved with a woman who is ultimately possessed by her sister's spirit, paving the way to revealing the painful truth about her unsolved disappearance.

an Asian anthology: Mirage, Aliwan Paradise, The Tree Of Life, and The Tokyo Game.

A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. The fragmented mosaic of voices and scenes allow for a plurality of views and opinions to account for the multifaceted and complex nature of Filipinas. From poetry to dance, politics to poetry – women chart their own lives in the auspicious event of change happening with the ascent of a woman to the country’s pinnacle of power.

Filmmaker Mike De Leon released this short on the eve of the 1986 EDSA Revolt anniversary. During its 5 minutes, De Leon draws a harsh critique of the Philippine president, Rodrigo Roa Duterte.

Mike De Leon's entry into the omnibus "Southern Winds" where he follows Julio Madiaga into the new world of Filipino Entertainment.

Mike De Leon imagined Citizen Jake “as an indictment of the Duterte regime using its horrific forerunner [the Marcoses] as a template of authoritarian rule,” and he caused a stir, as usual, in posting this promotional short for the film on social media. This short is essentially a Director's Statement in video essay form, and has been screened at New York's MoMA in their Mike De Leon retrospective.