Production
On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.
An intimate look at the life and career of Paulinho da Costa, the most recorded percussionist in music history. The documentary explores his unique rhythmic language and his collaboration with legendary icons.
For the first time, Andrea Bocelli presents a full length spanish album that features no classical influences. Spanish guitars flourish, accordions and harmonicas provide charming melodies, traditional Latin percussion insistently keeps the tempo. Sometimes Andrea shares the spotlight with just a grand piano. Beautiful orchestras remain, but for 'Amor' Andrea stylistically exchanges the grandeur of a 19th century European opera house for the romance of a 20th century Hollywood sound studio. Amor features Latin American classics including: 'Besame Mucho' (the song was a million selling US hit for Jimmy Dorsey & His Orchestra in 1941). Universal. 2006.
Elis & Tom is considered one of the most important albums in the history of Brazilian music. Recorded in Los Angeles, in 1974, it was all captured by a team of filmmakers led by director Roberto de Oliveira, who arranged for the duo to meet. The original footage was kept for 45 years until restored and remastered in 2018. The film is also an exciting reunion of the director with the artists and the material he filmed nearly five decades ago.
MTV Unplugged es el segundo álbum en directo de Alejandro Sanz grabado en el famoso teatro Gusman Center for the Perfoming Arts de Miami, Estados Unidos. Lanzado por Warner Music en 2001, precedido por el Básico en 1994. Alejandro Sanz hizo historia siendo el primer español en hacer un MTV Unplugged, tambiĂ©n se editĂł un DVD del concierto. En este trabajo Sanz muestra su versatilidad para acoplarse a un sonido más clásico y natural. Destacándose el cambio de ritmo y el liderazgo en guitarra o piano. En Cuando nadie me ve y CĂłmo te echo de menos hay acompañamiento solo de piano y cuerdas. Y en Amiga mĂa y Quiero morir en tu veneno se nota un cambio drástico de lo elĂ©ctrico algo fuerte a lo acĂşstico permanente.
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