Elchin Azizov

The Masked Singer (Russian: Маска, romanized: Maska, lit. 'Mask') is a Russian reality singing competition television series based on the Masked Singer franchise which originated from the South Korean version of the show King of Mask Singer. It premiered on NTV on 1 March 2020.

The Tsar's Bride - an opera in four acts by Nikolai Rimsky-Korsakov based on the drama by Lev Mey. This is a play about love - passionate, hot, searing and even burning everything around him. About the Russian soul, in the depths of which will always be a place for cleanliness, poetry, sacrifice and charity. At the same time, it is a play about the terrible years in the history of Russia, when the government was in a complete chaos, and the man became a helpless toy in its hands.

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The heroes of this program have conquered many creative peaks, they are popular and loved by the audience. And everyone has their own melody that warms the soul, helps to love and believe in the future. The heroes will have to meet face to face with their "secret song" - because they do not know what kind of musical gift their relatives, friends or colleagues are preparing for them. The star guests of the show are in for unexpected surprises and vivid emotions, and their fans will have a unique opportunity to learn about the important moments that changed the fate of their idols and hear touching stories.

Kazbek Daglarov is the director of the boarding house "Lastochka". Yaramazov is busy drilling his well, and the minister is passing on unnecessary information about him to Fatima Khanum. Finally, Fatima Khanum sets a condition for Kazbek. If the girls' track and field team from Krasnodar come to stay at the boarding house, she will fire Kazbek. Kazbek, who is in such a difficult situation, calls on his friends for help. And Kazbek's loyal friends save him from this predicament.

War breaks out in the Caucasus. 75-year-old Maria loses her son in the war. She and her daughter-in-law Sofia have been living in the Caucasus for 12 years. When famine strikes, they want to move to Russia. The women decide that they must go to Moscow. Maria takes her little dog and Sofia her small suitcase, gets on the train and sets off. In the next compartment, photojournalist Alexander is also traveling. Sofia and Alexander love each other. Maria realizes at one of the stations near Volgograd that she cannot live without the Caucasus. She writes a letter to Sofia and leaves the train with her dog...

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

A story about modern Moscow with familiar streets, places and characters. The main characters will check the entire set of stereotypes about metropolitan life for authenticity, as well as make a lot of discoveries.

A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.