Acting
1989-1990. General Secretary of the CPSU Mikhail Gorbachyov begins global transformations in the USSR. He passionately wants to become a star in world politics and for this he is ready to go as far as he can to meet the West. But the perestroika planned by Gorbachyov leads to fatal, irreversible consequences. Intelligence officer Alexander Nechaev finds himself at the center of an operation organized by the intelligence services of several countries. During the months spent in Berlin at the moment of the breakdown of the entire post-war world order, Nechaev changed a lot. He no longer knows who is a friend and who is a traitor, but continues to defend the honor and interests of his Motherland...
By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.
At a party, a girl is bitten by a vampire. A young man finds her unconscious and brings her to his home. But the bite does not go away, besides the girl is annoyed by daylight.
All day long the TV shows an ice-hole. Ice-holes are the theme of the day, a winter tradition that unites believers and sportsmen, stars and walruses, the president and the unemployed. In the centre of the news reports are the topics of Baptism, fishing and the criminal chronicle. The president and a pike, the artist and the crit- ics, the oligarch and the law enforcement team – they all meet at an ice- hole in search of solutions for their problems. The jobless Muscovite, with bad habits, dives down an ice-hole for a wife, just like Sadko. The fairy- tale plots intertwine with documentary context, and it is no longer clear where reality ends. Remember Nietzsche: if you long gaze into the abyss, the abyss will also gaze into you.
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