Laura Duke Condominas

Having failed in their quest for the Holy Grail, the knights of the Round Table return to Camelot, their number reduced to a mere handful. Seeing a rift developing between Lancelot and Mordred, Arthur urges his knights to bury their differences and become friends. However, the king is unaware that Lancelot is having an affair with his queen, Guinevere. Lancelot is torn between his duty to his king and his love for the queen, whilst Mordred is determined to use his infidelity to destroy him.

Luciana, a country girl who has moved to Milan, is married to Mario, an intellectual type who avoids her since an accident forced him to live with his torso permanently in a cast. Lonely and depressed because also of her recent dismissal, she asks for help through a letter and becomes friends with elementary school teacher Anna, who also resents the negativity of her workplace and the world around her. Meanwhile, blue collar worker Marco waits for his fellow paisan Luciana to reciprocate his feelings. The vicissitudes of this quartet intertwine with the comical interludes of a commune of hippies who live in the tunnels of the Milan subway and spend their time pulling pranks on the passers-by.

In this heady, phantasmagoric fairy tale, a young girl comes face to face with a friendly dragon and a magnanimous witch. Upon the witch granting the girl’s wish to become a young woman, this surrealist chronicle follows the precocious Camélia on a series of quests in pursuit of love.

Jézabel, a worldly young woman, takes hold of Ariel, a shy and inexperienced young man, and leads him by hook or by crook through the wild side of Paris nightlife.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

A short film by Louis Skorecki.

30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

Produced in an era before 24-hour programming cycles, Video 50 was initially used as a late night filler on TV stations in Germany, France, Belgium, and Switzerland. Random, surreal, and unexpected, Video 50 resembles the dream cycle of a dormant TV station after it conscious programming has ceased. Its structure and form anticipate the dissociated sequence of moving images we are now accustomed to encountering on YouTube and social media.