Anupam Shyam

A teenager reflects on his life after being accused of cheating on the Indian version of "Who Wants to be a Millionaire?".

The year is 1893 and India is under British occupation. In a small village, the tyrannical Captain Russell has imposed an unprecedented land tax on its citizens. Outraged, Bhuvan, a rebellious farmer, rallies the villagers to publicly oppose the tax. Russell offers a novel way to settle the dispute: he challenges Bhuvan and his men to a game of cricket, a sport completely foreign to India. If Bhuvan and his men can defeat Russell's team, the tax will be repealed.

Nine years later, Pratigya finds herself conflicted between her duty as a public prosecutor and her emotions as a mother. Which side will she choose?

Journalist Amar falls for a mysterious woman on an assignment, but she does not reciprocate his feelings. However, when Amar is about to get married, the woman shows up at his doorstep asking for help.

Radhe is a hardcore gangster. A sharpshooter with a sharp brain, he works for Gani Bhai, the dreaded Mafioso, but on his own terms. Totally fearless, Radhe single handedly eliminates Gani Bhai's enemies one by one; making more enemies than he bargained for.

Shivajirao, a TV reporter, gets a chance to be the Chief Minister of Maharashtra for a day after being challenged by incumbent Chief Minister Balraj Chauhan. After his one-day stint turns out to be a huge success, his life spirals out of control and he is embroiled in political intrigue.

Based on the life of Paritala Ravindra, the film follows his life from just a college student to being a politician in the state of Andhra Pradesh.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Born a lower-caste girl in rural India's patriarchal society, "married" at 11, repeatedly raped and brutalized, Phoolan Devi finds freedom only as an avenging warrior, the eponymous Bandit Queen. Devi becomes a kind a bloody Robin Hood; this extraordinary biographical film offers both a vivid portrait of a driven woman and a savage critique of the society that made her.

Ashfaque (Ajay Devgan) is a small town boy aspiring to be a film star in the Hindi film industry. He joins a street theatre group run by a reformed dacoit Sidhu (Pankaj Kapur) who uses street theatre as a medium to bring about an awakening in the masses. Ashfaque struggles to give a creative vent to the actor in him in order to realize his dreams.

Bunty and Babli are two young people who randomly meet each other after running away from their homes to chase their dream. After facing hurdles in their path they decide to take up conning and soon become the best con artists in the country. However, their success is threatened as a relentless cop is on their trail.

A beautiful lady turns up in an architect's masterpiece.When he founds that she is real, he realizes that she is haunted and hunted by the reasons they have to find out

The sequel carries forward the tale of power and revenge which exploded in Rakht Charitra 1. The rebel leader turned politician, Pratap consolidates his political base but is forced to retread the path of vengeance once again after a rival from the past, Surya Narayan Reddy chooses to avenge the assassination of his family. Surya swears vengeance against Pratap after his family is wiped out in a bomb attack and Pratap is hell bent on decimating his enemy, even if it means separating ways with his mentor and political veteran, Shivaji.

When he's called in to investigate the murder of a former art student (Pooja Kanwal), Nilesh Bhargav (Rajit Kapoor) turns to the woman's paintings to see if they might hold clues to her killer's identity. Was it (Aham Sharma) the boyfriend she abandoned years ago and whom the police suspect? Or was there another with the motive, means and opportunity to do her in? Rajesh Ganguly directs this entertaining whodunit.

A look a the life of 19th century Indian painter Raja Ravi Varma.

In feudal India, a warrior who renounces his role as the longtime enforcer to a local lord becomes the prey in a murderous hunt through the Himalayan mountains.

Dhananjay and Aaftab are half brothers who have never met. When they first do they instantly loathe each other, having nothing in common. One night, Aaftab blows up a loaded truck while trying to steal from it and attracts a mass of unwanted enforcers. Soon, Aaftab is forced to send Dhananjay into a trap but ends up with them both being handcuffed and escaping from the Border Security Force, the Central Bureau of Investigation, and the border mafia who are attempting to incriminate the brothers for anti-national activities and murder. Fate has it such that they are forced to escape on foot, on motorbikes, cars, stolen trucks, and even handcuffed to each other on a moving goods train.

The year is 1975, the place is Mahim, Bombay, and this is the story of Tikku, a eunuch, the only child of yesteryear Bollywood actress Nazneen Begum, who has fallen upon hard times, is virtually destitute and is dependent on Tikku, who does make-up/hair-dressing of Bollywood actresses. When she passes away, Tikku is beside himself with grief. After the funeral, he witnesses a woman leaving a child in a garbage bin.

The story is about a young girl, Kaya (Udita Goswami) , living in the beautifully serene valley of Spiti, waiting to join a Buddhist monastery, an idea which has been fed to her all her life by her father (Mohan Agashe) and one which she has never questioned. When Lama Norbu, a senior lama from the monastery has a dream that the Buddhist teacher, the Rinpoche has been reborn as a young child, he sends Kaya to Delhi on a mission to bring him back to the monastery.

Takes a slightly different look at various layers of life in a city like Mumbai through the eyes of Ram Saran (Manoj Bajpai), a garage mechanic who hails from a small town. The film is also about his interaction with the different layers of society that is prevalent in the city.