Daniel Joyce

A year after her identical twin's disappearance, Maude Ashton is still haunted by visions of her sister's violent abduction. Convinced she is still alive, Maude follows the clues to a derelict caravan park.

Barry Cooper was a highly decorated Texas narcotics officer - until he turned on the police force, busting crooked cops and teaching drug users how to hide their stash.

Barbecue is about more than grilling a piece of meat. It’s a ritual performed religiously across the world. For some it’s a path to salvation. It is the pride of nations. And the stories told around the fires become a way to bring the world together.

Immersing herself in some of Australia's most controversial workplaces, an abortion clinic, a brothel & Tassies unique forests, Maddie Parry must battle her own prejudices while searching for the truth behind the stereotypes.

In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.

Our world is at a crossroads of myriad crises, but all too often the solutions to the problems we face – especially climate change – are put in the ‘too hard basket. But, as director Celeste Geer discovers, it doesn’t have to be this way. Following Then the Wind Changed, her Walkley Award-winning film about rebuilding after the 2009 Black Saturday bushfires, she sought answers to why, after decades of warnings, we continue to shirk the necessary measures that will prevent all-out climate catastrophe.

Intimacy coordinator Claire Warden guides actors through sex scenes on a film set, negotiating the vision of a director, the physical and psychological needs of the performers, and a documentary crew filming her every move.

With young women 18-24 being most at risk of abuse, Australian comedian Becky Lucas sets out to understand what an abusive relationship looks like, how it begins and why it's so hard to intervene.

Madeleine loves her Greek family’s traditional lamb souvlaki but her friends claim that meat is murder. Well, Maddie's never killed anything bigger than a spider, so she decides to reconnect the animal and the meal or never eat meat again. After talking to the people who slaughter animals for their livelihood Maddie is encouraged to do it herself, but, even if she can kill an animal, will she want to eat it afterwards?