Writing
Lubo Moser is a jenisch, a gypsy. Mirana, who tried to oppose him, was killed. But how could this have happened? Why? Because Switzerland considers nomadism a social scourge, and, to eradicate it, it takes the children of the jenisch. Thus, without children, the Jenisch will be without a future. The mastermind is a state-run humanitarian institution, Pro Juventute, the arm the Street Children's Work: everything is perfectly legal and there is no opposition to the law. Lubo feels himself dying. And something about him really does die, on that night of wind and snow: it will be a new Lubo, tough and impenetrable, who will set up a project with unexpected implications to avenge his family and his people... and it will lead us to rethink the sense of justice, in the blurred boundaries between good and evil.
The film tackles the life journey of Toni Ligabue, visionary naïf painter who used to draw tigers, lions and jaguars while living among the poplar trees of the boundless Po valley. A harsh life that is a fairy tale too, as a lonely and marginalized kid finds redemption in his art, and a way to express himself and be admired by the world.
Bogre is a journey into time and space, on the trail of Cathars, Albigenses and Bogomils, medieval heretics who spread from Bulgaria to the European West. Why Bogre? Those who speak the Occitan language know that bogre (pronounced “bugre”) means Bulgarian, but over the centuries that word has acquired the meaning of foolish, the one who masks the truth. In the 12 th century, bogre became an insult directed towards the Occitan Cathars, who were equated to the Bulgarian Bogomils, from whom the Western Catharism derived. The followers of these heretical teachings called each other “good people” and “good christians” because they believed they were returning christianity to its original purity. Their ideas traveled the length and breadth of Europe, from the Balkans to the Pyrenees, from center-northern Italy to Bosnia.
The aging, conservative population of a small, sleepy village in the Italian Alps are surprised to see that a former French professor has settled there with his young wife and their three children to produce goat cheese, in order to escape the wrongs of civilization. At first they are suspicious of his unconventional ideas and lifestyle, then are conquered by the enthusiasm, kindness, helpfulness of the young family and start to see in them a possible rebirth of the place. But little by little misunderstandings, envy and conflicts take over.
Painful family events lead Augusta to leave Italy. On a small boat, immersed in the Amazon Forest grandness, she begins a travel between Indios villages. From the favela to the isolation in the Forest, Augusta will go in search of herself.
