Juan Pablo Menchón

After a devastating toxic snowfall kills millions, Juan Salvo and a group of survivors in Buenos Aires must resist an invisible threat from another world.

In the conservative northwestern region of Argentina, Julieta finds herself accused of infanticide after a medical emergency. With support from her attorney and women's rights advocates, she fights for justice in a landmark case that could change lives.

After his running mate's murder, a controversial televangelist becomes Argentina's presidential candidate. But nothing about him is as holy as he seems.

In Buenos Aires, 17-year-old Bennie seeks out his estranged brother Tetro, a once-promising writer haunted by their family’s past. As Bennie uncovers Tetro’s hidden manuscript, old secrets and rivalries resurface, forcing both men to confront the truth about their father and the tangled legacy that tore their family apart.

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

After a party, Agos and Ren find themselves in a strange place where they remember to have been before… A failed world bursting with dependences and doors leading to the same yet different place.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)

A team of advisers is brought in to manufacture the image of Marchand, producing social media profiles, commercials and a new public persona. Conflict arises when it is revealed that not everyone is who they present themselves to be. At his country estate, a rich businessman who wants to be president is groomed by a campaign team to create an image palatable to middle-class voters.

Twelve years after the effervescent I Think I Love You, the 107 Fauns return to making (being) cinema. Artificial Disintelligence accompanies the guardians of indie from La Plata in the investigation, between pataphysics and the detectivesque, of a mysterious event captured in one of their shows.

Teen Western in the middle of the Buenos Aires conurbano: girl bands, a role and a meeting schedule.

Mars is invaded by humans.

Discovering that his community has been destroyed and his wife kidnapped, Marcos set out on his search, embarking on an extraordinary adventure through the most diverse landscapes and climates.

Amando is the last surviving steam train engineer in the country. At 95, he remains as active as he was in his days on the tracks. Fernanda, his granddaughter, wants to record his present as an instructor at the Rosario train driver school and railway legend, but an unexpected secret twists the story, and the search for the film becomes more personal. Fernanda decides to share a video camera with him, and so they embark on a journey that will become a rite of passage for granddaughter and grandfather, a journey of trains and cinema.

Lucas is nine years old and El Pira is eight, thought he seems older, like all dogs. In the immensity of the countryside, in the darkest of nights, they wait. A flapping of wings from afar, that small colored ball, one loose tooth, the bicycle's chain, Astro's rocket launching, the light of the steam in the pool, Bela's gaze, the juice, and the cookies. In the horizon, the first lights. Lucas switches off the flashlight they were playing with and gets ready. Sometimes a scary story can also be a story of courage.