Directing
Dirlinho and his cousin’s childhood is marked by deprivation and violence. They try to escape by working as jockeys. While the punters bet on them, they gamble with their lives for a better future by riding doped horses.
Matilda Pierre, a 26-year-old Guyanese actress, chooses to tell her story and publicly embrace her sexual orientation in a society where homosexuality remains largely taboo. Attracted to women, men, and transgender people, she must deal with insults, threats, and the weight of others’ judgment. Through her testimony, Matilda reveals the reality experienced by many young LGBTQIA+ people in French Guiana. The documentary also gives voice to other young people, such as Marcus, a bisexual Amerindian who hides his orientation for fear of rejection from his family. Between silence, fear, and social pressure, many live their identities in the shadows.
The film follows the artistic body of the Municipal Theater of Rio de Janeiro when salaries are suspended. It records the wait, marked by the long days without good news, and the resistance: because despite ruin and misery, it is necessary to produce and survive.
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