Yasemin Alkaya

Sent to prison along with his mother after her drug conviction, a young boy develops a warm, tender relationship with a political prisoner.

Turkish television series based on the novel of the same name by Reşat Nuri Güntekin.

The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.

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1926, Turkey. Anatolia is undergoing a difficult and harsh process marked by turmoil and uncertainty. Alongside the decisive and conscious directives to establish the new infrastructure of the new Turkey, there are also examples of resistance that cause an unstoppable reaction and unhealed wounds. Amidst the political backdrop revealed by this process, which operates with the indifference of a broken clock, individual stories continue to unfold with all their human qualities, and personal conflicts persist in highlighting negativity.

Işık visits a friend's summer home to spend some time alone after growing up under the strain of her surroundings and family. Here, she reflects on her prior issues and the challenges she has encountered as a woman.

After receiving a letter from a woman named Asiye asking for help to save her, the President of the Associations Against Prostitution visits the brothel to save Asiye. However, she finds herself in a strange musical show.

The story of two female theater actors, Deniz and İpek. The events that take place during the rehearsals and staging of Jean Genet's play "The Balcony" are intertwined with love, indifference, passion, sexuality, and the lust for power, just like in the play itself.

The movie is about the troubles of a group of people living in the same neighborhood. Ihsan has turned in upon himself by the death of his lover and he is waiting for the day when he will die in the mansion where he lives. Fatma sometimes goes to help Ihsan, and she can’t stand against her husband who abuses her daughter. Gulizar lives in the same neighborhood, and she has also become obsessed with her virginity. Gül is also accidentally pregnant and cheated on by her husband. She is also preoccupied with her own problems. The story of these five people struggling with their own problems will intersect around a murder case.

Feryal and her husband Sinan have one rule in their relationship. They can have any relationship they want, but they must be honest about it. In a way, this is much more difficult than simply being faithful in marriage.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

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The story of three children whose parents are arrested during the coup...

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Elif and her sisters Funda and Aysun have spent much of their adult life coming to terms with a traumatic childhood in which their parents were killed during a bus accident that left the siblings terrified but physically unhurt. In time Funda and Aysun became mentally ill, and it fell to Elif to care for them, but eventually the burden became more than Elif and her husband could bear, and they deserted the siblings, leaving them to an unknown fate. Living in a country with no social safety net, Funda and Aysun fall prey to violence and exploitation, and their reunion with Elif and Yasemin is both poignant and troubling. Yasam Arsizi (aka Sidewalk Sisters) was an official selection at the 2008 Istanbul Film Festival.

The story of the intersecting lives and friendships of two women who are completely unlike each other.