Lekal Sumi

What will our lives be like 10 years from now? Five up and coming Taiwanese directors each offer their own take in answering this question. In 2028, Taiwan is suffering from nuclear waste (“The Can of Anido”), migrant workers (“942”), industrial collapse (“Way Home”), low birth rates and diversity in families (“A Making-Of”), and insomnia (“The Sleep”).

Apin returns to the forgotten village, a place that has long been abandoned. At night, he steps on to a sacred spot, clad in the traditional Pangcah attire. He starts a lonely dance and song, with no-one there to hold his hands.

Qing soldiers invaded the Indigenous Amis Village of Cepo’ in 1877. Kacaw is riddled with guilt after he’s unable to save those who flee to Cilangasan. His wife is pregnant, and their people are starving. Kacaw eventually convinces Mayaw, the head of the community, to harvest rice for Qing soldiers in the lowlands. But will everyone return home after such an arduous journey?

Panay worked in the city as a journalist. One day, she found her tribe had been overdeveloped and changed by tourism. They were losing their land and their culture, so she decided to return home to bring back the abandon terrace. In this process, she found it's not only about the land, but also about who she really is.

Futing, who returns to the tribe on vacation, is suddenly told to replace his grandfather to participate in Sacepo' (sea festival). However, as it's already difficult for Futing to speak his own mother tongue, how could he catch fish in the sea? Just when he is about to escape, he meets Lisin, a lovely girl who stays in the tribe to work in exchange for board and lodging. Her eyes are full of admiration immediately when she hears that Futing is going to participate in the sea festival. In order to win the hearts of Lisin, Futing tries his best to learn how to fish in the sea.

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