Acting
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
Melodramma in four acts, recorded at 4th of June at Teatro del Maggio Musicale Fiorentino. Staged by La Fura del Baus, conducted by Zubin Mehta.
Opera legend Plácido Domingo returns to the spectacular Arena di Verona, where he more than 50 years ago made his debut. Plácido Domingo and Saioa Hernández perform a programme dedicated to the great Italian composers Verdi and Giordano. Jordi Bernàcer conducts the Orchestra of the Arena di Verona from the center of the Arena, which creates an incredible SS, embedded in a perfectly staged light show. It had been an extraordinary evening, where “the duets saw the artists perfectly in harmony” (OperaClick) and “Domingo performed with bravura, alternating with the spectacular Saioa Hernández” (operaactual.com).
The opera that established Verdi’s greatness as a composer, Nabucco follows the plight of the Jews as they are exiled from their homeland by the eponymous Babylonian King. This 2019 production from Verdi Festival Parma won critical acclaim for its directors, Stefano Ricci and Gianni Forte for whom opera is a means to question the world of today. The curtain rises in the bowels of a modern warship...
Politics. Religion. Nabucco is Verdi's retelling of the Old Testament story of King Nebuchadnezzar II's religious conversion. On one side, the fiery Hebrew priest Zaccaria, battling to lead his people from oppression. On the other, Nabucco, the tyrannical Babylonian king and his adopted daughter Abigaille, who will stop at nothing to get her father's throne and her sister's lover. Will King Nabucco's ambition rob him of his beloved daughter as well as his kingdom?
