Clara Winter

An artist in his own right, Clark Winter captured the intimacy of his longtime friendships with Robert Frank and June Leaf in a series of videos shot over nearly 30 years in New York and Nova Scotia. These are a precious record of the married couple’s seemingly inseparable—yet resolutely independent—home and work lives. Today, Winter serves as one of only three board members of the June Leaf and Robert Frank Foundation. — Museum of Modern Art

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A pre-apocalyptic pastel daydream. We aren’t relaxed, we aren’t carefree, we’re pathologically unable to care.

Rarely a day passed when June Leaf wasn’t working in her studio…. — Museum of Modern Art

Deliberately rebelling against no-frills entertainment films, the trio of Clara Winter, Miiel Ferráez, and Megan Marsh present themselves in their debut feature Wikiriders – an ironic road movie in which their alter egos cross Texas and Mexico in search of the legacy of colonialism. They ultimately encounter it in the form of an influential aristocratic family – a family far more alive than they would like.

There he joins in the lamentations of the soldiers.

Clara wakes up in Mexico determined to turn the aesthetic abuse of the fewly privileged against the privileged few. Still, there’s something undeniably seductive about the euro-to-peso exchange rate and the promise of an easier life. But as life is growing easier, Clara realises her project is growing more complicated. Torn between self-reflection and self-mockery, her idea of the role of the artist begins to slip, and it becomes unclear whether her characters are willing participants or unknowing victims… To make things worse, her camera man starts to have his own opinions.