Crew
Lars Adam Nilsson is a Swedish filmmaker, photographer, cinematographer, and screenwriter.
The history of Swedish electronic music from the early pioneers to today's DJ superstars. This is the story how the music that was misunderstood and ridiculed for centuries suddenly has become bigger than pop and rock for your music lovers. The whole film is edited in one pace - 125 bpm from beginning to end.
Systems collapse and day after another turns into night but it is old ladies who stand untouched in the core of everyday life. In his poetic and vivid debut film, the Bulgarian set designer and illustrator Youlian Tabakov gives voice to his grandmother Tzvetanka, born in 1926.
Interbeing is based on documentation of social structures and their different approaches to trust and fear. The material is presented through a thermal camera, the optics of which do not register what is visible to the eye but render shades of temperature; a perspective granting all living beings the same conditions of representation.
About Jean Claude Gauthier, a man who had lived 24 of his 49 years in prison and on the streets of Paris. In early 2000 Jean Claude met Swedish filmmaker and cinematographer Adam Nilsson, over time they became close friends and gradually Jean Claude began to talk about the parts his life which he couldn't forget, of his wife, his children, his marriage, his job as a model and florist, the bank robberies, the prison sentences and the feeling of losing everything that you love.
In the setting of a course at the Art University of Stockholm a lesson about work conditions of artists turns into a challenge of running the gauntlet for the two course instructors. As the students ask critic questions, the the whole situation escalates quickly.
Refused Are Fucking Dead is a 2006 documentary about the punk band Refused and the last year of their career. The film was directed by the band's guitarist, Kristofer Steen. It includes live performances of "Spectre," "Life Support Addiction," "Circlepit," "New Noise," and "Rather Be Dead."
When the global economy collapses the only true victors are those that weren't invited to the boom. Petey plays in a band and works in a pornography warehouse; Ginger works the night shift in a bar. From opposite coasts of the country, the two provide their personal takes on individual vs. collective crisis, together weaving a narrative that exposes a wasteland of shattered economic dreams, unfulfilled social promises and a bleak reality that only music and friendship can float freely above.
