Production
Twenty-four short films by 24 female writers, performed by 24 women actors, all based on women’s real life experiences of sexism, harassment, and violence. A diversity of female voices and talent from across Europe come together for a series that tackles head-on the everyday brutality experienced by women.
When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.
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In 1949, philosopher and novelist Simone de Beauvoir wrote the groundbreaking The Second Sex, launching a disruptive discourse on women’s oppression and second-class citizenship. This film dissects the origins and relevance of this bible of feminism, charting de Beauvoir’s fact-finding journey across the US to research her book. The timely and fascinating film honors de Beauvoir’s brilliance and limitations, connecting her revolutionary ideas to the pressing issues women face today.
Published in 1949, The Second Sex became the bible of global feminism. An essential work that passionately advocates for gender equality, women's independence, and the liberation of morals. Today, how does this seminal work continue to resonate in our contemporary world? Conceived as an initiatory journey to the origins of Simone de Beauvoir's thinking, the film The Second Sex: In the Footsteps of Simone de Beauvoir takes us to the United States, to the places that inspired the philosopher and nourished her theories. An American road trip bringing together the worst and the best, predatory capitalism and mad love. A unique reinterpretation in the company of the great thinkers of our century.
A documentary on women photographers in present-day Iran, exploring their motivations as well as the many obstacles they face along the way.
Alice, fired from her job on an assembly line, leaves her boyfriend and provincial home for an uncertain new life in Lyon. There she encounters Bruno, a construction worker who's just been dumped and is severely depressed. Romantic possibilities ensue.
Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.
Two childhood friends who have not seen each other for a long time decide to meet again. They talk and look for what could have caused their estrangement: words pronounced in a certain way, an intonation etc. Very quickly, an argument begins and turns into a settlement of accounts.
