Matthias Keilich

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Actually, the young Berlin doctor Jan Büchner wanted to go directly to the Baltic Sea for a week. But a detour forces him to drive over land. And then his car breaks down in the middle of nowhere, just behind a small town called Marienhagen. The residents of Marienhagen take care of Jans Wohl and make the stay as pleasant as possible. A comedy about rural doctors and people who fight for their pride and self-respect and take their destiny in their own hands in their own hands.

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Two fathers are fighting for a child: Franz Bergen, head of a church choir, wants to fight the right of access to the young son of the pub René Dörfler. At first, Judge Lena Kalbach does not allow the lawsuit - until it turns out that Bergen, as a sperm donor, is the biological father of the child. A delicate case for which Lena has to find a solution with great tact. But she is also personally affected by the issue of fatherhood: Her adult daughter Nike finally wants to know who her father is. In the third part of the popular TV series, Michaela May again plays the smart judge Lena Kalbach.

Adopted as a baby in Korea and raised in a provincial German town, Michael has two identities. Unable to look in the mirror without feeling the hole in his history, he longs to know and be assured of his own identity. When his adoptive parents divorce, Michael feels lost and runs to his best friend in Berlin. But it's a new confrontational friendship with beautiful Jin Hi that forces him to re-examine himself. In Berlin's Korean community Michael is "neither fish nor fowl", a Korean-German with no knowledge of Korean language and tradition. Trapped between two cultures, Michael's realization that he's a stranger in his own home stirs him to question what it is that defines oneself. Underscored by stark photography, luminous performances, and a deeply echoing script, Neither Fish Nor Fowl transforms the terrain of self-awareness into a strange, lonely, and desperately universal story

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