Michał Ostatkiewicz

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In 2005 Berlin, 28-year-old Katja juggles acting ambitions, night-shifts, and a shared flat. Her role in Chekhov’s “The Seagull” mirrors her tangled love life, fractured family, and rejected faith. When offered a chance to escape it all, news of the Pope’s death forces her to confront, not flee, her reality.

Mary was a good mother, a good wife, a good woman. And now, as a ghost, she will do all in her power to prevent Zuza, her granddaughter, from repeating those kindhearted mistakes. She is even ready to kill.

Asia and Marek created their own paradise in the forest near the eastern border of Poland: a place where their children were going to grow up safely, far away from the problems of today’s world. One day, their lives are put to a severe test in the face of the growing humanitarian crisis on the border of the EU, happening right next to their home.

The psychological journey of Dalibor, a young Romani man from a dysfunctional family, is set against the backdrop of a Slovak slum. This gripping, immersive, and cinematic experience delves into the captivating life at the edge of society, unfolding a modern-day Oedipus story. With a stolen childhood, Dalibor yearns for a father figure in a world that brings a constant struggle for one‘s place. Fakir vividly explores the raw pain that arises from abuse and trauma. This pain resides both internally within the family‘s walls and externally, where the circus‘s agonizing nailbed becomes his haven.