Anastasia Papadopoulou

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

The spin-off to the original series 'In aller Freundschaft' focuses on the young doctors in a fictional clinic in Erfurt. In this emotional drama series, hospital staffers and patients navigate life's challenges.

Georg Wilsberg is an antiquarian in Münster. He used to be a lawyer but lost his license. Since then he has been working as a private detective. The always clammy Wilsberg urgently needs this income. In addition, he depends on the support of his friends, especially because of the car.

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On a business trip, Eva meets 21-year-old Tom. After a one-night stand, Eva would like to leave her with this "slip-up". But Tom fascinates her too much, and so the successful scientist lets herself into an affair with him. While for Tom neither age difference nor any conventions are an issue, Eva remains doubtful.

Paul, Julia and Lilly are a happy family, until Julia dies unexpectedly. For the sake of his daughter, Paul wants to function and suppress his grief. Lilly keeps challenging him with her imagination and her very own view of Mum's death.

Bruno and Katja Bassmann are on their way to the Côte d'Azur. During a stopover at a bistro, Katja disappears without a trace. Bruno is convinced that she has been kidnapped. But neither the police nor the embassy can help. Only the German-speaking taxi driver Aliya supports him in his search. They get caught up in a murderous network that leads straight to the underworld.

Physiotherapist Julika is young, attractive, mother of two cute children - and widow. Two years ago her husband Michi died in an accident. Julika still misses him sorely, even speaks regularly to his mailbox. Nevertheless, she embarks on an affair head over heels with the easy-going bicycle city guide Konstantin. For her loving, but sometimes encroaching parents-in-law Georg and Christa, the case is clear: the affair with Konstantin can only be a temporary aberration. After Michi's death, both of them stood by the mourning young woman and the children. The family is very close and even lives on the same piece of ground. With Konstantin, this whole well-established family structure falls into disarray. But is that what it feels like? Can there be a second great love for Julika?

Pensioner Gerda grabs burglar Simon (armed with a harpoon) and forces him to be her carer. Anything is better than the nursing home to which she was taken by her daughter Linda. When the daughter has to move in with her mother because her apartment has become a permanent building site, things really start to get "funny".

Three different characters, caught in a frenetic everyday loop in pursuit of time. Never finding the right moment to eat, cross the street, or go to the toilet. Until time suddenly freezes. A short introspection inspired by pandemic lockdowns.

Eight people from the generation of the Cypriot Crisis, who were born after the war, recall memories of places where they never lived and talk about their personal experiences, hopes, fears and the life they dream of living.

Four people and the time they spend in an elevator. Inspired by everyday life and by the difference in people's behavior when they are alone, in contrast to the socially acceptable behavior that individuals adopt when in public space and especially in the confined and always awkward setting of an elevator.