Acting
Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.
In Secret Machine, the protagonist encounters an antagonist that is studying her, measuring her body and comparing her to units of space and time. Clocks rush and her movements are calculated on a grid: the eye is observed through lenses; her breath is submitted to a resistance rate by putting her under water; needles are used to quantify her reactions and pain: and her voice and motion are recorded. For the scientist measurement is understanding. While human nature appears confined in the framework and efforts of rationality, the aspiration of trapping the soul conduce the antagonist to imagine the improvable.
Six Easy Pieces is based on the book "Six Easy Pieces: Essentials of physics explained by its most brilliant teacher" by Richard P. Feynman. It brings together the foundations of "Film as the Seventh Art; a superb conciliation of the 'Rhythms of Space' and the 'Rhythms of Time'" by Ricciotto Canudo and "Music is the pleasure the human mind experiences from counting without being aware that it is counting" by Gottfried Leibniz. The work deconstructs film as the perfect synthesis of art and technology. Connecting art and science, it romantically refers to an age when artists and scientists had similar concerns and were often one and the same person.
Rafaela is a young nun who belongs to a precarious congregation. For some time, a recurring dream has haunted her. At the same time, she is sent to a nearby town in search of the new archbishop. Along the way, she will experience extraordinary encounters that will either advance or retreat from her path.
In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.
