
Martín Turnes
Camera
Biography
Martín Turnes (Buenos Aires, born November 16, 1980) is an Argentine cinematographer and director.
Known For

This series narrates the events that a series of characters experience around different spaces that have been emblematic at a certain moment in history and that are currently forgotten. It combines documentary with fiction to show the neglect produced by abandonment and how it affects the lives of the characters. Each episode deals with a different place.
Gigantes

The journalist Andrés Oviedo must write about the murder of a young political activist Mariano Ferreyra for the magazine where he works. Oviedo performs a series of interviews and dialogues with familiars and friends of Ferreyra. The search for the truth and the motifs of the crime lead him to confront his publishers, who removed him from the case. In front of the arising complications, Andrés doubts to proceed with the investigation, but the support of his daughter, of the same generation as Mariano, helps him to continue. (FILMAFFINITY)
¿Quién mató a Mariano Ferreyra?

Demosthenes reappears in his village where he is known as "Ghost", just for the end of the year holidays, with no plans or goals. Luis Miguel, his old friend, gives him a job, and asks him to look for a pig to be slaughtered at the end of that week, in which friendship turns into a working relationship.
Homecoming Ghost

Gastón, an agronomist from Buenos Aires, settles in a thriving rural area to dedicate himself to his activity as a crop advisor. The struggle for his 16-year-old daughter, Vera, and his wife to adapt to the new life puts him in front of a dilemma that shakes the foundations of his work. What seemed like a new beginning becomes a present full of contradictions.
The Agronomist

A musical tour through the work of Aníbal "Pichuco" Troilo, one of the defining figures of tango and Argentinian music.
Pichuco

Osvaldo is going through a unique moment in his life. Selling a home forever alters family ties.
En la cabeza de papá

No description available.
Ensenada'55

The work and thought of Mauricio Kartun, in a journey that takes as its temporal axis the staging of his play Salomé de chacra. His work, his obsessions, and his personal method.
Kartun, el año de Salomé

No description available.
Mekong, Paraná

No description available.
Historias breves 17

MANUEL (38) and LISA (36) are walked down a hotel's corridor by Gustavo, a kind bellboy. They reach the room and Gustavo searches the wardrobe for a coat left behind by the previous guest. But he can't find it, so he goes away. Finally, alone, they kiss with excitement and decide to open up the only piece of luggage they brought along. they open their eyes in disbelief, staring at the piles of cash before them. They swindle a thief, and they know they are safe. There's nothing to worry about. Just keep a low profile in then hotel, and then run away. While Manuel orders some food and Champagne to celebrate, Lisa finds the elusive coat in the wardrobe. Lisa asks him to try it on. Manuel accepts the game, and while attempting to seduce her, he finds a black bag full of cash in the pocket. Lisa screams of happiness. Manuel has a slightly different point of view: this is a real catastrophe. While discussing their options, someone knocks at the door.
Un plan

Celina and Alejo have gone through a rough patch for almost as long as they have had Camilo, who is 4 years old. Alejo's mother gives them a voucher for a hotel night and offers to look after the kid for the night. The proposal feels weird to them, but they do their best to live the experience enthusiastically.
One night alone

What will the world look like after the last tree has vanished? How will we remember leaves and thorns, the shade above our heads, the shape of forests, and the lives that once dwelled within them? And in that future—will the air still be breathable? In 2063, with all forests gone and atmospheric oxygen nearly depleted, humanity stands on the brink of abandoning Earth. Seventy-five-year-old biologist Diana mentally returns to the year 2022, recalling Miguel, the last guardian of the Pampas forests.
The Dusk of Species

Documentary feature film about the merchant ship "Río Carcarañá", belonging to Empresa Lineas Marítimas Argentinas (ELMA) built in 1962 in the city of Rijeka, Yugoslavia, currently Croatia, and which in 1982 participated in the Malvinas War.
E.L.M.A "Rio Carcaraña"

The film focuses on the story of seven characters, which are connected to the world of football in one way or another. Through their daily lives, we get to know their bond with the sport, their activities and the problems they have to face due to the occupation by Israel. Even though they are constantly affected by Israel's subjugation of Palestine, they manage to survive and endure all sorts of issues in order to enjoy one of their biggest passions: football.
¡Yallah! ¡Yallah!

Ricardo Soulé, 67 years old, Argentine musician from the mythical band Vox Dei who released "La Biblia" in the 70s, a conceptual work in the key of progressive rock, achieving immediate recognition. At present, Soulé records an album with his new band, goes on tour invited by a very convincing band, practices the training of falcons, plays the violin every day. Still, 4 of her 5 children live in Europe and their place in the world is still debated.
Peregrino

Twelve-year-old Ignacio lives with his depressive mother and violent father, neither of whom show any interest in the family. Ignacio likes to play with his younger sister and is attracted to Ezekiel at school. When the father finds out about the relationship, they try to talk, but it might be too late.
By the River

Cross Dreamers is the life story of 4 men who practice cross-dressing in Argentina. From an early age they had the need to transit the feminine. With the clothes, the makeup, the heels and the construction of a feminine identity, "Cross" seek to feel like women for a short time of their lives. However these 50 to 60 year old men had to repress this desire throughout their lives because they felt like monsters and hid it from their wives and children.