Juan Camilo González

Never underestimate the power of one voice to change things, as wittily illustrated by 14 artists from around the world in this animated speech by Barack Obama.

Hollywood Blvd., USA is a 2013 animated short film by Stephen Hillenburg, who is most well known as the creator of the Nickelodeon show SpongeBob SquarePants, it would end up being his final independent project before his passing in 2018. The short (which was in production for a few years) is experimental in the sense that it doesn't have a cohesive story, with it being made using footage that Stephen recorded of people walking in Hollywood Boulevard from 2007-2010, and animating them in walk cycles, with some additional shots being hand painted. In an episode of the Big Pop Fun podcast, Stephen mentions that the short is also set to music, which is "Chocochip" by Money Mark.

I am grateful to the Chinese for the invention of gunpowder — it feels as if they made it for me. Its discovery happened by accident, originally conceived as a way to ward off evil spirits. This film begins in China, then moves to an event in Cartagena, and ends centuries later in Bogotá.

The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.

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León Prozak lends his head to Mephistopheles for some circus numbers. Theses scenes, animations made by different plastic artist, are the centre of the film, the pleasure of paint on time. The animated paintings cover a wide range of topics, from politics to erotisicm, expressing their vision of the world.

The image of a man trapped inside a pendulum depicts life as a vertiginous journey.

Anzoategui is a short animated documentary film, inspired by the director’s questions about the story of the hometown of her mother and grandmother, which they left forty years ago. The town’s name appeared in conversations, but she never heard the reason for their departure, so it became a mystery. Her questions led her to find episodes of the family story, both happy and dark and met people who lived with them in the town.

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The incessant repetition of courtesy gestures: thus echoing the oppressive hypocrisy of the suit-and-tie working world, the assembly line of communal capitalist living, an asphyxiating echo chamber. A microcosm in 4 sets of 11 sheets of paper with hand-drawn animated cycles.