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Heiner Goebbels

Sound

Known For

Love Is the Beginning of All Terror
5.8

Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.

Love Is the Beginning of All Terror

1984
Ludwig 1881
5.3

In 1881 Ludwig of Bavaria goes on a cruise on a Swiss lake. He takes with him a famous actor, Josef Kainz, to act out the scenes from a story which took place on the lake, at the actual locations.

Ludwig 1881

1993
Der subjektive Faktor
4.0

At the end of the 1960s, a young woman laid the foundation of the women's movement. As well as political initiatives against male dominance, a detailed picture was drawn of society, which established the women’s motivation.

Der subjektive Faktor

1981
To Stage the Music - Heiner Goebbels
N/A

Heiner Goebbels, an eclectic composer who, in his fifty-year career, has experimented with everything, is also the main figure in this film, which goes over the creative process that led him to conceive A House of Call, his latest symphony.

To Stage the Music - Heiner Goebbels

2023
Journey Into a Secret Life
2.0

An imaginary biography of Jean Genet, poet and high priest of evil. "Revolt is something I allow myself", said Jean Genet in 1975. Born in Paris in 1910, raised and humiliated in an approved school, a pederast and thief who has been to prison 14 times and expelled from five European countries. His novels are ballads of poisonous beauty, his plays are murky rituals of oppression where each person acts out the role imposed upon him by the others.

Journey Into a Secret Life

1983
Pentecost
N/A

Walking a thematic tightrope, Norbert Meissner here puts media technology to the test. The universal event of pentecost is the moment of the highest realization: technologically, the moment of all possibilities, i.e. white noise and snow. The text spoken by a TV announcer tries to create a hierarchy, but it is constantly disturbed, subverted, and displaced by electronic image distortions and fade-ins and fade-outs of multilingual versions of the text and of signal terms in various alphabets. A work to be read with differentiation on truth, sublimity, and the media.

Pentecost

1989