Yurena

El Hormiguero is a Spanish television program with a live audience focusing on comedy, science, and politics running since September 2006. It is hosted and produced by screenwriter Pablo Motos. The show aired on Spain's Cuatro channel from launch until June 2011 and is now broadcast on Antena 3. Recurring guests on the show include Luis Piedrahita, Raquel Martos, Marron & "The Man in Black", and puppet ants Trancas and Barrancas. It has proved a ratings success, and has expanded from a weekly 120-minute show to a daily 40-minute show in its third season, which began on September 17, 2007. The show won the Entertainment prize at the 2009 Rose d'Or ceremony.

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Set deep in the chaos of the early 2000s, this series reimagines the life of pop icon Tamara — and her metamorphosis into Yurena — as never seen before.

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The first international version of the show RuPaul's Drag Race All Stars.

Victor works in a real estate agency in the well-known Chueca neighborhood of Madrid. He hides a terrible secret: he makes apartments available for sale by murdering the old ladies owners that live in them. Then, refurbishes and decorates the apartments to sell them to gay couples with high purchasing power. His ultimate objective is to transform Chueca into a kind of London Soho area.

This documentary explores Yurena's meteoric rise to fame as Tamara, the media frenzy she faced in the 2000s and the present-day lives of her TV rivals.

A Christmas tale and musical that proposes to open the doors to the underground and local drag, shaking hands with emerging talent and serving as a platform for young artists.

Puta y amada is a comedy that narrates the constant ruptures and reconciliations of Marcos, a film director who is going through a creative crisis, and Adrián, a pop music composer. Both Marcos and his two friends, Zaida and Julia (with whom he shares his love for cinema), embark on a series of superficial relationships, which will make them move from simple selfishness to the revelation and awareness of the loved one, in this moral tale about the end of youth and the desidealization of the world.