Alejandro Castiglioni

Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.

Miguel Ángel García Mazziotti, a Río de la Plata's decadent showbiz gay figure, receives the visit of his daughter Virginia, of whom he has been distanced for years. "The Fat", as everybody calls him in Punta del Este, openly rejects her visit, but when realizes will become a grandfather he can't help getting thrilled and celebrate Virginia's happiness. As a result they share a real familiar weekend that, as many families, to be happy it has to be fake.

A chronicle of a supermarket security guard's obsession with a late-shift janitor.

A love story escaping neoliberal times.

Felipe is a teenager from La Paloma who attends an acting workshop behind the back of his mother, who opposes him becoming an actor. When the opportunity arises to attend a casting in Montevideo, Felipe escapes by bus for the day, but when he succeeds and finds it necessary to extend his stay, his lie gets out of hand.