Sinan Kesova

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Berna Tuna, a renowned academic has just died. Her husband, Macit, will take this opportunity to face past wrongdoings and reconnect with his long-neglected daughter İpek. His hope for a fresh start is put to test by his son Alp and his wife’s assistant Feyza, who are strongly attached to Berna’s legacy.

Instead of enjoying her vacations in a peaceful peninsula of Turkey, Anna feels stuck in a strange torpor, while her boyfriend, Thomas, doesn't seem to notice it at all. Later in the afternoon, when a little girl suddenly disappears on the beach, Anna awakens and decides to go and find her, despite the unknown and the nightfall.

Jale, a free-spirited street vendor in her late thirties, roams around the forsaken shores of the Bosphorus. She crosses paths with heartbroken teenagers, an obnoxious admirer, exorcists, exhibitionists, fellow street sellers, fisherwomen and treasure-hunters. Like frogs gathered around a pond, they only have each other––and the timeworn, yet still glittering, Diamond Sea.

The sale of an inherited house results in an unspoken tension between Cigdem and Kerim, a couple in their late thirties, to which their daughter does not seem indifferent.

Irmak (12) idolizes her older teenage friend Aylin, who for Irmak embodies excitement and womanhood. When she plans to move away with her boyfriend, Irmak begins to realize that her feelings for Aylin are more complicated than she knew.

Two zoologists seeking the extinct Anatolian panther search for its traces in the deep forests of Anatolia. Veysel believes the almost mythical panther embodies something beyond an animal, an element that Anatolian people have lost and are still looking for. For Emre, only the idea of photographing the absent Anatolian panther excites him. They manage to capture an obscure image of the large cat, but they can’t prove it is the panther’s. The two friend are surprised and disturbed when they see stuffed panthers at the offices of some bureaucrats. A secret Veysel reveals to Emre in Hacıbektaş changes both of them. Will searching for something non-existent destroy them, too?

Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.

Three old acquaintances debate different interpretations of the Koran, Christian sects, their lives, and life after death in a tiny, cramped neighborhood barber shop.

Gelecek (aka. Future) takes its viewer through two days in the life of Deniz, an unemployed young man living with his grandfather Orhan in the metropolis of Istanbul. In their daily struggles, both challenge each other's views on existence, being, and the future. The film deals with themes of inertia and loneliness.