Emiliano De Martino

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Giulio is a widower, struggling to raise three sons, Marco, Rudi, and Mimmo, as best he can. He lives in Rome's working-class Garbatella neighborhood and runs a wine shop with his two brothers. Lucia, meanwhile, comes from Milan's middle-class background; she's divorced and trying to rebuild her life with her two daughters, Eva and Alice. The two meet by chance and recognize each other: they had a fling as teenagers, many years earlier. Yet first love is never forgotten, and so Giulio and Lucia find themselves together again. Their meeting, however, changes not only the lives of a man and a woman, but also those of two families as different as could be. Two families who find themselves living under the same roof without even having had the time to get to know each other well.

Paralyzed from a crash, Nicola falls for his physiotherapist Lucia. Franco and Manuela seek fertility treatment in Barcelona. Filippo and Fosco, a gay couple, plan their wedding. Ernesto, a waiter, has an affair with Spanish cook Cecilia.

Middle-aged family man Arnaldo is kicked out by his wife because of a misunderstanding. Instead of despairing, Arnaldo takes advantage of the situation to turn around his unsatisfying adult life by going to live in a flat shared with four university students.

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On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

In the splendid setting of the Cilento, Francesca is preparing for her wedding but feels that something in her life is not quite right. Surrounded by her longtime friends, with wedding preparations in full swing, she begins to ask herself important questions and to look for answers where she has always built her most solid certitudes, as ever finding help from her counsellor, Don Fabio. She will end up stumbling on a truth that will completely subvert the tidiness of her life, questioning her tenets, only to realize she is ready to find herself.

A dystopian fairy tale that tells, from the 40s to the present day, about the tenderness of a stillborn human being and the stubbornness dictated by the love of a grandmother. Sweetness and love reverse the succession of events, postponing the obvious consequences of the pathology that holds Antonio prisoner, and creating an unexpected life, told by the subjective eyes of a little puppet of Pinocchio, Antonio’s faithful friend since childhood. That is how a tale of Pinocchio develops, but backwards: a child who turns into a puppet as the disease progresses.