Acting
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.
Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.
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A waitress takes all the gossip of a small town on the Rhine in stride, in spite of a distinguished composer being a loving husband and father for her illegitimate child.
Lilian Harvey plays a young heiress in long-ago France named Madelon who is raised by her grandfather as a boy in order to frighten away fortune hunters. But when the old man dies, her guardian Cesaire wants to marry her off to the rich prefect Barberousse. She is tricked by Cesaire with the portrait of a young man (Viktor von Staal) which is presented to her as that of her future husband. But when Madelone discovers this scheme she flees, again in men's clothing. But on her route to escape, she meets the young man from the portrait and falls in love with him. But Madelone can't give up her disguise right now...
A film for scatterbrains. Everyone's constantly forgetting something – the daughter the little dog, the father the files, the chauffeur forgetting to close the roof of his taxi when it's pouring rain and his passenger gets soaked. Everyone rushes through life and doesn't even have time for themselves. Then a "young" student (Hans Söhnker) returns to his hometown. He receives a lavish welcome and, at 34, is probably one of the oldest students in German film history. He has three fathers who support him financially and studies on their money. Interminably. Now he has to accept that his fathers have run out of money for his studies. So he rolls up his sleeves, forgets about the expensive degree, and switches to a trade. He does hair, he drives, he assembles film, he shaves, and he pins seams. There he meets a young lady, has time to serenade her, and then learns that his biological father is a millionaire, who now lends him a hand and distributes cash to the other cash-strapped fathers.
After some initial difficulties, the daughter of a circus director who died in an accident follows in her father’s footsteps and takes over the business.
René and his two artist friends lead a meager but careless life in a Parisian small apartment, their main worry being to avoid the housekeeper. Whenever they get some money they call more friends in and celebrate. This is how he meets beautiful but fragile Denise, who wants to be a singer as himself, and they fall in love. Yet when she finds out her real condition she takes a drastic decision which will determine their fates. La Bohème arias, and more.
An unemployed engineer who does not want his fiancee to protect him has accidentally insulted his future boss, unknown and for no reason. From this meager idea, a stupidly rolled-out confusion with pop song in a Mexico bar develops.
Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.
To stave off creditors of a young composer, his friend plants a news story that he is engaged to an American heiress.
An easy-going hussar officer successfully vies for the love of a millionaire's daughter.
When a young woman becomes aware of her husband's wandering attentions, she plots his comeuppance.
A popular stage tenor can't stay away from his female admirers until his wife threatens to divorce him.
Charley Wyckham and Jack Chesney pressure fellow student Fancourt Babberly to pose as Charley's Brazilian Aunt Donna Lucia. Their purpose is to have a chaperone for their amorous visits with Amy and Kitty, niece and ward of crusty Stephen Spettigue. Complications begin when Fancourt, in drag, becomes the love object of old Spettigue and Sir Francis Chesney.