Andrés Perugini

A fairly realistic fiction by Martín Piroyansky about the life of Martín Piroyansky. The story revolves around an actor who loses his job due to an employment contract, which for many people is an unsolved mystery.

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.

Patagonia, 1960. A German doctor meets an Argentinean family and follows them to a town where the family will be starting a new life. The family welcomes the doctor into their home and entrust their young daughter to his care, not knowing that he is one of the most dangerous criminals in the world.

Juan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true events, set in the Argentina of 1979, this film is one about love.

A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.

The film tells the life of Tito Pereyra since his childhood in a town of Tucuman (with an absent father) until the 1980 s in Buenos Aires, when democracy was restored. During that period he makes decisions that will change his life forever.It shows a human being with both bright and dark aspects, whose contrasts seem to determine his destiny.

Pablo and Valeria are dating and love each other, but like any couple, the relationship has several twists and turns. In addition, they must learn to survive in New York, as difficult as it is for two young Argentines.

High school students find their way in life at Las Delicias agrotechnical boarding school in the Argentine countryside. This striking coming-of-age film takes place against an inviting backdrop of fields of crops, greenhouses full of tomato plants, and the somewhat dilapidated school buildings, where dogs and chickens roam.

In 2001, far from the space ships, Argentina suffers a social and economic crisis that rages the fury in the streets. Looting, violence and terror are part of the everyday landscape. Fear overflows the atmosphere and families are breaking down in a rarefied climate.

Argentina continues Saura’s lyrical exploration of the essence, talent and patrimony of popular dance and song in both fiction and documentary

During the Malvinas war, more than a thousand Argentine soldiers were wounded. Many were cared for by 14 nurses in a mobile hospital located in Comodoro Rivadavia. After 37 years of silence, three of them return to the place to tell their stories.

Luisa works temporarily babysitting children in a factory. For an inopportune occasion, they are left with their boyfriend in charge of a boy who accidentally suffers from drug poisoning. Luisa and her boyfriend will be involved.

Organism is, among other things, the story of a young woman and her pet, a small dog named Italia. It's also a new piece added to the extended work of Iván Fund, where the documentary record blurs with fiction in order to create (or describe) small intimate universes where the director's relationship with his characters result in an area where emotions and sensibility rule using small everyday events that push the story forward.

Santa Fe - notes, 2017 - 2019 is a story made up of fragments of landscapes, buildings, voices and objects. It is a film built on the relationship between art and the colony, memory and threat, native peoples and silence.

Lucio is 10 years old and lives in the country with his parents. Play solitaire in the bush and record the sounds of nature with an old radio recorder. He dreams of going to town when he grows up and working on television. In fact, this is the only means that connects you to that other part of the world that you are eager to discover. One day two subjects who come from the city come to his house by accident, one of them is called Carlos, he is 30 years old and works on television. This will be a very important day for Lucio.

"Several times a day, for many months, I went out to the terrace of my house to look at the terrace next door, which is the terrace of a nursing home. I went out as soon as I got up and before going to bed, as in a ritual. And soon, over the course of the weeks, I went out several times a day to look at that space, a window between two concrete blocks, a mysterious door, the light on the ceilings." (Gustavo Fontán)

An incomplete travel (and sound) chronicle; a place occupied by maps and globes; a recollection of memories instead of the repetition of an imprecise image. In the spaces that remain between these surfaces, Recording Rituals intends to meditate on the relationship between landscape and archive in the construction of imaginary communities and material memory.

A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.

Troubled by his stutter, a young performer will do whatever it takes to deflect responsibility for his voice, even if it means renouncing his dream.

A man knocks on my door. I ask him what he needs. He doesn't answer. He looks at me for a few moments, with enormous eyes. He looks at me as one looks at an apparition. Rivers are born in that silence, in those hallucinated eyes, and they unfold a memory of water, a fragmented knowledge of tornadoes and banks, of creaking trees, of birds bathing in the rain, of men lost on some island, of drowning in the backwaters, of the splash of oars, of the shadow where the river narrows. A man knocks on my door. He says to me: You're not here, we're not here.