Ben Coonley

In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.

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A 3D video cover version of Michael Snow's seminal structural film "Wavelength" (1967). Reflecting on Snow's work across a span of several decades, "Wavelength 3D" loosely adopts the original "Wavelength"'s basic formal structures and uses a variety of digital filters and image processing techniques to shape the three-dimensional perspective. View with red/cyan anaglyph 3-D glasses.

“mismatched (or ‘non-stereoscopic’ or ‘dissonant’) 3D is the unexplored frontier of 3D cinema.”