Diogo Salgado

Lucas, the cook, seduces America, the television star and presidential candidate. He will clandestinely enter her house to seduce her with extraordinary meals, causing the unlikely intersection of the fate of Lucas, the cook, with that of America, the President.

Inspired on the true events of the Portuguese king Don Pedro (14th Century) which unburied his mistress to make her queen after dead. This film tells the story of Pedro, a man admitted to a psychiatric hospital for traveling by car with the corpse of his beloved, recalling simultaneously three different lives: one from the past, another from nowadays and another one from an distopic future.

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In the hot month of August, Alice and her siblings go to their grandmother’s summer house. As the days go by, the house becomes a hive of slow straying bodies, as Alice becomes more and more engrained in her grandmother’s colonial past.

As the afternoon light fades, two kids play in the woods by a lake. When one of them disappears, the lake and its inhabitants take hold of the narrative and, when the darkness sets in, build up the walls of a maze that encircles the two kids. While one wanders through the forest searching for his friend, the silhouettes, textures and sounds of the forest slowly exert their mysterious grip.

In 1872, the Emperor of Brazil, Pedro II, travels to Porto and stays at the Grand Hotel du Louvre, property of Maria Henriqueta de Mello Lemos e Alvelos. Today, the attempt to make a film about this episode becomes an invocation. Maria Henriqueta is with us. Memories, sounds and sensations take over the screen.

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During a summer vacation, a young couple deals with an unexpected pregnancy.

Pedro travels for the first time in one of the vans leading a group of workers to France. While, for the others, this is another work trip, each kilometer brings Pedro closer to a place that seduces him: the colossal mountains of the Alps.

Early Spring. A sonata, a train, a letter. Between his work as a flute teacher and the rituals of mourning the early death of his wife, Samuel faces a dilemma after a visit from his brother.

In the mid-1980s, during a summer day, Rui Carlos and his friends Maranau and Tomané enjoy their free time in the neighborhood, between football matches and playful games. Rui Carlos repairs his worn-out shoes and heads out to borrow a valuable football from their neighbor, Dona Olinda, who daily entrusts it to him. As the teams are chosen and the game begins, typical neighborhood interruptions ensue: a visit from Mascote the dog, a break for lunch, and spontaneous games. But when the ball gets punctured, Rui Carlos is left to face responsibility and the realities of growing up.

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Thousands of workers take the ferry across Lisbon’s Tagus River every day. They’re commuters just like those you see everywhere in buses, trains and subways. In the ceaseless flow of humanity they disappear anonymously into the crowd. This film is Gonçalo Pina’s cinematic tribute to these “invisibles.”