Acting
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David (Jiří Macháček) has one task: to investigate paranormal cases. But he doesn't feel like it. It's the 1980s, and there are a lot of annoying people who call each other "comrade." He doesn't believe in anything paranormal anyway. He prefers to sit in his office, pretending to work on research into satanic references in Western music, and enjoys listening to LPs that no one else in the country has. The world would be beautiful, but his superior assigns him a new colleague, Vojta (Jan Cina). This overzealous newcomer talks about pushing the boundaries of human knowledge and how science doesn't have answers to all the mysteries of the world yet. This mismatched duo has no choice but to cooperate in investigating bizarre cases that all other security forces in the state can't handle. To make it harder, they are constantly monitored by a pair of StB agents – the tough agent Snížková (Anna Fialová) and the sweetheart Hora (Leoš Noha).
How far are detectives willing to go to catch criminals? Sometimes they have to use methods that are on the edge of the law
David must join forces with police analyst Petra as they are drawn deep into the tangled web of who controls the flow of meth into Europe.
A little girl and a socialist orphanage. It is a strict children’s institution. How to overcome fears, insecurity and loneliness? To do this, the girl creates another self to talk to and argue with. And, of course, the dream of America where everything is beautiful and good. Where her father lives and waits for her. A girl and her foster family. There’s plenty of everything, but it doesn’t feel right. Emma’s trials don’t end there. Again and again, she must find the strength to hope, the stamina to live.
Milan and Týna Svoboda’s marriage has, in recent months, turned into a series of minor and major misunderstandings, with the couple now arguing about almost anything. A holiday therefore seems like the right choice to save their relationship. But what if they each have a different idea of what that should be? Milan has a soft spot for the Czech countryside and is thrilled at the prospect of sleeping under the stars, whilst Týna would much rather be by the sea. She sees the campsite in the Bohemian Paradise more as a compromise. From the moment they arrive, even seemingly ordinary things turn into comical disasters that gradually escalate. Instead of relaxation, the tension between them only intensifies. After an unexpected incident at Trosky Castle, they decide to try something completely different – spending some time apart. Perhaps this way they’ll finally discover what’s really important in life…
Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
Martin was a veterinarian at the top of his game, until a dramatic life changing incident at work. It resulted in an inability to communicate with the world, spending the rest of his days in total isolation. The women in Martin's life are the narrators: his wife, his mother and his colleague, Jana, whose horse he was treating on that fateful day.
Thirty-something Jonas is not doing well at the moment. He has been taking antibiotics for a long time, so he is out of shape, and the trainer does not nominate him for the upcoming boxing match, he had a fight with a homosexual customer at work and is facing criminal charges because of that, and he also got a little involved with his colleague Silva, which logically does not please Jonas's friend Klařá. But Jonas hides the biggest problem by far from everyone. Although the suspicion of rectal cancer is fortunately not confirmed, the method of treatment of the damaged colon nevertheless shocks him - he has to regularly insert a dilator into his ass!
"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.
On the trail of a runaway wolf, wolf guardian Hannah reluctantly visits her grandmother's native Czech village, close to the Austrian border. Hannah's mother lives here and is treated as a social outcast due to her attempts of coming to terms with the traumatic family history. Hannah, too, can no longer escape the hushed-up past. It is time to break the silence.
The film chronicles the events of a village on the Czech-Austrian border from the 1930s to 1950s, where genocide occurred due to fallout between German citizens and Czechs who collaborated with the Nazi regime during the war.
Two neighboring clans and two different approaches to life. What happens when the strained relationship of two domineering fathers interferes with the love of their own children?
Rouzbeh arrives in Prague, far from his troubled family life in Tehran, to research his father’s past. Visiting the flat where his father, a communist expatriate, lived 50 years ago, in the times of Czechoslovakia, he is stopped by a policewoman investigating a recent accident. The current resident of the flat, Vladimir, who turns out to be Rouzbeh’s half-brother, has fallen out the window. Discovering hidden corners of Vladimir’s life and getting closer to his soul, Rouzbeh learns a shocking truth about his father, totally contradicting the image of a hero he had about him. This puts him on the path which led to Vladimir's fall from the window.
An original story told by Uncle Igor, a son of Russian aristocrats, and his nine year old grandson Tonda. A powerful story of complicated times around 1968, a story full of contrasts: Whether it is the relation between what Grandpa's plentiful life entails and Tonda's imminent children's presence, or between poetry and fine humor and dramatic situations of military occupation. Or generally between everyday worries of a person and the pressure of great history. On grandpa's life story, mapping a big part of the 20th century traumas, one can see how much an individual's fate depends on the movement and changes of history. And how much one can defy it and maintain inner firmness and integrity. Or perhaps just dear life.
Human kindness and purity in a corrupt world will never go out of style. This is proven by Fyodor Dostoyevsky's more than 150-year-old story "The Idiot," which continues to inspire new adaptations and resonates with contemporary audiences thanks to its timelessness.
