Directing
In Tokyo, a young man, Tomo, and his companion, Hiroko, have hardly any money left to their name. Convinced that their misfortune is part of a larger, unexplainable joke, they agree to throw themselves into all the encounters that come their way with the singular hope of defeating this joke before it plays out.
Plot Unknown.
Singapore, 1998. At the peak of the Asian financial crisis, an ordinary family head to Sentosa island and face unknown terrors.
Moving through the rhythms of the day, man, as an organism, needs water, sunlight, rest—and a nice cup of coffee— but not without a few mishaps.
Frank and Lily, partners by chance and circumstance, set off on a wild journey in their search for a mystical character known as the Sunbathing Dog. Our protagonists navigate a foreign landscape, their movements determined by an invisible ventriloquist feeding them cryptic clues and directions. They encounter oddball characters, strange places and new sounds...but will they ever find what they're looking for?
On a sweltering day, two men take a break in a swimming pool. Contact with water will reveal their true nature...
In a surreal tableau, a man with a brewing machine for a head, discontent with the bland taste of the brew from his own body, attempts to do what he can to improve its flavour. Shot during the circuit breaker period in Singapore, The Cup is a meditation on being in the world, against the flattening out of life as we know and image it.
When hair begins to sprout wildly all over a man's body, his struggle becomes a resistance against subjugation in which the human anguish is palpable. Combining overlaid 16mm and Super 8 film loops, this manic new short by Singaporean duo Mark Chua and Lam Li Shuen is an exploration of the relationship between the body and the city in an ever violent society.
A live audiovisual performance along the Singapore River blending sound, text, and image by Lam Li Shuen, Mark Chua, Moe Myat May Zarchi, and Lin Htet Aung.
CAMPHOR TIGER CHASE is a walking expanded cinema performance that thinks alongside bruised bodies, balms for pain relief, and the chase for the ghosts of tigers. Using a DIY 16mm portable projector, the performance reimagines Tiger Balm, a traditional ointment from Singapore used to relieve pain and aches, in relation to one of its key ingredients camphor - historically used for celluloid production. Tiger balm ointment is used to create handmade chemigram sequences alongside inkjet-printed frames. Phantom spirits of tigers endlessly chase and are chased by the artists, veering between moments of both hope and futility of mass-manufactured relief to ever growing pains endured in our world.
A techno-mythological ritual of light and sound to an imagined demigod born of a yam. This 16mm expanded cinema performance evokes the spectres of ritualism and mythic idols in our modern times.
Streaks of hair and colours weave together furiously, imploding into a frantic vision drawn between exuberance and anxiety. The filmmakers glued their hair to 16mm and Super 8 film leader loops that were played in overlay and modified with ink during projection in this textural expression of a manic feeling of being.
