Anielle Weinberger

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JEMINA, THE MOUTAIN GIRL is playing with various elements : literary sterotypes of the F.Scott Fitzgerald novel, inflamed romantism of a Viennese waltz, idealized feminine beauty through lengthy shots, some white and some black, burst of color, intrusion of rose, and green. The film is mocking classic hollywood cinema and undertake the fundamental discontinuity of every film, of every filmic text. Pleasure of the text, pleasure of cinema.

Home by Midnight follows Junior, a teenage stoner wasting his youth by endlessly partying… at least according to his domineering mother. After his mother hits her breaking point, Junior convinces her to let him attend one last party under the condition that he comes home sober and before his curfew at Midnight. Junior plans to keep his promise, however, that plan quickly goes down the drain when he accidentally takes a hallucinogen, mistaking it for a breath mint. Tripping out, Junior must make the journey back home before the clock strikes twelve while avoiding the chaotic and unhinged hallucinations the night will bring.