Michael Podogil

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

Forensic psychologist Thomas Meiberger is celebrating his 30th high school reunion at a stately home. When his former schoolmate and world-famous magician Martin shows up, old conflicts resurface.

A young couple in love spontaneously get involved in an underground play in a dark cellar that is billed as "particularly bad". As expected, the play begins "artistically valuable" - the audience is rather bored, some filming along with amusement. However, the mood changes abruptly when Manfred Amour, the play's car, enters the cellar.

Willibald Adrian Metzger is supposed to restore the interior of a dance theater in Graz. But then the lead actress and, shortly thereafter, the understudy of the current production suddenly die. Metzger isn't the only one who finds this strange.

The time has come: Willibald Metzger is marrying the woman of his dreams, Danjela Djurkovic! But everything changes at the altar. Instead of saying "I do," Danjela leaves Willibald frozen in shock at the altar and disappears with a stranger. The inconsolable Metzger, almost drowning in alcohol, and his best friend, caretaker Petar Wollnar, try to get to the bottom of the situation. Because something isn't quite right.

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