Adrian Brown

Xena is an infamous warrior on a quest to seek redemption for her past sins against the innocent. Accompanied by her comrade-in-arms Gabrielle, the campy couple use their formidable fighting skills to help those who are unable to defend themselves.

A freak accident during an experimental space mission catapults Astronaut John Crichton across a thousand galaxies to an alien battlefield.

Early 20th-century adventurers find themselves fighting for survival after their hot-air balloon crashes into a remote part of the Amazon, stranding them on a prehistoric plateau.

White Collar Blue is an Australian television series made by Knapman Wyld Television for Network Ten from 2002 to 2003. Starring Peter O'Brien as Joe Hill and Freya Stafford as Harriet Walker, the series dealt with a division of the police force working in the city of Sydney and the personal and professional tensions affecting their work and lives. In the pilot episode, Harriet is introduced as the new face to Kingsway station, transferring from the "White Collar" federal police to the "Blue Collar" New South Wales Police. Throughout the series Harriet must deal not only with her husband's brutal murder and the revelation of his adultery, but with learning to adjust and fit into her new surroundings. Joe is Harriet's new partner, and isn't exactly welcoming to her as an addition to the team. With two daughters from previous marriages, Joe needs to juggle his homelife, his dedication to the job and his relationship with Nicole Brown, played by Jodie Dry. The other cops at the station are Ted Hudson, played by Richard Carter, Sophia Marinkovitch and Theo Rahme, and each have their own secrets and problems to deal with. The series was axed after two seasons, however it can be found on cable TV both in Australia and overseas.

In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.