Mykhailo Liubarskyi

Kharkiv, the 1930s. The heyday of Ukrainian art. Ambitious young poet Vladimir Akimov happily settles in at the new luxury "Slovo" House built specifically for artists. He comes from the provinces and works as a proof-reader in a printing press, and has never even dreamed of living under one roof with prominent Ukrainian writers and artists. He thinks his own poetry is genius, but nobody takes his literary efforts seriously, not to mention the occasional chuckles over his epigone poems. But fate smiles at him. The head of the political intelligence agency suggests that he become the author of a play written earlier. Akimov agrees, signing a non- disclosure note. The poet has no idea what price he will pay for this success. “‘Slovo’ House” is a story about a generation of Ukrainian artists persecuted by the totalitarian system, unfolding against the backdrop of one of the largest genocides of the 20th century: the Holodomor, which caused the death of almost 7 million people.

Unique access to Ukraine’s Foreign Minister Dmytro Kuleba and other key figures in the administration who are fighting to save their country against Russia’s invasion by combatting disinformation.

Kolya and Vasylii learn that their father, who left them when they were children, is dying in Luxembourg, far away from them. One of them wants to go and find his father, while the other one does everything he can to prevent the first from leaving the country. As a result, they both go to Luxembourg in search of their dad: Kolya considers him a hero, while Vasylii thinks he is a scoundrel.

A dystopian story set in post-war Ukraine, where a frustrated film director struggles to make the most of his life after being denied the opportunity to pursue his movie-making career. Estranged from his wife and daughter, who have been living in Vienna and are reluctant to return to their war-torn nation, the director tries to find solace in his conviction that the difficult times will pass and life will return to normal.

Nastya was ten when a missile fired by Russian terrorists on New Year's Eve changed her life forever. It took her father's life and destroyed their house. Nastya's school is only in 500 meters from the front line. War has become commonplace. Just a part of the landscape. The only means for Nastya's family to survive is the scrap metal they scavenge while under fire. Senya is seven years old. He is a first-grader. In the seven years of his life, he has seen seven years of war and not a day of peace. Senya likes to climb on the boney pile to watch the sunset. His stepfather dig graves to earn money for a new suit and backpack for Senya. This is a film about the children who live in the war zone in Ukraine.

Reflective observations of Ukraine in wartime are interwoven with eye-witness accounts to contemplate the ultimate tragedy: the normalization of war.

Hot summer nights squeeze all the air out of small apartments. In the middle of one of these, the girl is dizzy. Whether from suffocation, or from an ancient promise, the time of which has come. In search of fresh air, the heroine flees to the field, from which she returns to a completely different city.

Do you remember the moment when you suddenly realized that your parents are complete strangers to you?

A guy comes back to a small city, where he meets his old friends. They have a good time together. In the end of the day, they get into a car with a stranger, whose motives are unknown. Such a spontaneous action turns out to be a chance to become closer to each other and find yourself.

A brother and sister, with a significant age difference between them, are cleaning the trailer inherited from their father. While cleaning, taboo topics are brought up and conflict ensues.

Such children in Ukraine are born 5-6 per year. No one knows the exact numbers. Every second - dies as a baby. Their skin is fragile, like the wings of butterflies. This disease is incurable. But with the right care, they can live. “The most important thing for a child is a stable, reliable mother. The child can have any condition of pain, wounds, and the mother should be close, like a rock. And then the child feels the strength that his mother loves him and in any condition he is sick, screaming, or more calm, his mother is always there. ”