María Antón Cabot

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.

Coastal town of Benidorm, Spain, August 1956. Sylvia, a newly married US poet, goes for a walk.

A hot day in the Retiro. Romantic love, fidelity, relationships and sexual identity are some of the themes discussed with various young people and adolescents, in a series of conversations in which each protagonist, each physiognomy, opinion and expression is a discovery that adds layers of emotion and significance to the whole. And so the day slips by, calmly and with observational acuity, in a clarifying and surprising investigation into the future of love.