Andrzej Adamczak

Piotr Tymochowicz, media advisor to some of Poland's top politicians, claims that anybody can be molded into a charismatic leader. To prove it he's looking for a greenhorn that can be turned into a candidate. A call is put out for would-be participants, and hundreds apply. A small group is selected and under go training. Polish master Marcel Lozinksi followed Tymochowicz and this project for three years, and this beautifully shot and edited work paints a compelling portrait of cynical (and quite familiar) demagogy and populism in action.

A town near Warsaw. A group of teenagers rules one of the courtyards: Ali, Pawik, and Małgośka, the object of both boys' fascination. A few years later, these same young people form a typical youth gang. Ali and Pawik gather around them a group of peers who have been unable to find their place in society and want to live an easy life. Robberies and thefts are their idea of a comfortable existence. A few more years pass and the gang transforms into a mafia. After the 1989 elections, it enters into deals with politicians. It also gets into a conflict with Russian gangsters.

A story about a hunter's son, who was born with antlers, and about how each man kills the thing he loves.

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The Republic of Poland of the 16th century. During the period of religious tolerance, the Sieniawski and Bielecki families compete with each other.

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Did the 1989 revolution in Central Europe devour its children? This question is answered by representatives of the anti-communist opposition from Warsaw, Prague, Budapest and Berlin. The documentary shows images of the upheaval, with songs by Jacek Kaczmarski, Jaroslaw Hutka and Wolf Biermann as a backdrop.

The burner bursts with flame, hot air fills the shell, the aerostat soars. In the gondola of the balloon - Norman Davies. He is not looking for strong impressions, inspiration or beautiful views, but for the right perspective. For a historian, according to the film's protagonist, "should distance himself from his object of research. One must not be too close, too emotionally involved. That's why I will look at Wroclaw from a certain height..." Such a perception of Breslau has been sorely lacking in the distant and near past, especially in the past, the twentieth century - the century in which unleashed nationalisms resulted in the bloodiest spasms in the history of mankind.

A subjective look at the city through the eyes of its inhabitants: artists, intellectuals, but also so-called ordinary people. Each of the characters portrayed "his Warsaw," so the film includes a wide variety of places - both generally known and those known to a few, both beautiful and well-kept, as well as those that arouse dislike.

Weaves together the personal recollections of four Polish survivors of the Holocaust with original footage from the present day. The film focuses specifically on the relations between Jews and Poles in Nazi occupied Poland.

It is 2001. At a private journalism school, Professor Edward Wnuk-Lipiński asks seminar participants if they know who Albin Siwak was. They do not. Only one person has heard his name. For these young people, it is already history, and not necessarily something they need to learn about.

For years, on the evening of December 12, on the anniversary of the introduction of martial law in Poland, demonstrations have been held outside Wojciech Jaruzelski's house. On such an evening in 2000, Teresa Torańska and her film crew pay him a visit.

The story of a journalist, member of the Communist Party and Solidarity, who gave up his profession during martial law and started selling bread.

A documentary film featuring the profiles of six young people living in Poland. They are united by their age. The protagonists of the film are a young farmer, an unemployed graduate of Foreign Trade, a feminist, a young politician active in the Green Party 2004. We also meet a writer writing anti-consumerist novels, a graphic designer working as a producer of photo shoots (known for her popular blog on the web). The authors of the film for several months accompanied them at work, moments of entertainment, meetings with friends, we see their joys and sorrows.

The writer Zbigniew takes part in a psychotherapeutic session, during which he tells his story.

Polish film directed by Jacek Skalski. A young student, expelled from university for taking part in strikes, and a middle-aged married woman, whose husband is abroad, fall madly in love during the tumultuous times of 1980s martial law.

At the famous Grand Hotel in Sopot, each worker - whether a porter, a maid, a cook or a stoker - feels an important part of their workplace. Perhaps even the most important.

A film devoted to the difficult fate and dramatic choices of actors during the war – whether to continue practicing their profession, performing in theaters that were openly operating and opened with the consent of the occupying authorities, and thus agree to a kind of collaboration with the enemy, or to abandon the acting profession and change careers. The author of the film presents the attitudes of actors in the General Government, primarily Warsaw artists: how they reacted to the directives of the Underground State and the resolution of the ZASP - the Secret Theater Council prohibiting its members from cooperating with open theaters.

Eugeniusz Kwiatkowski is a widely forgotten politician and economic activist who greatly contributed to Poland’s growth. Where did he come from? What is the secret to this phenomenon of a man whose initiatives form the basis of the Polish economy to this day? Why was he so ruthlessly banished from public life?

On January 30, 1968, the staging of "Dziady", directed by Kazimierz Dejmek, was taken off the billboard of the capital's National Theater. Warsaw students protested against the decision of the highest party and state authorities - after all, it was not made independently and courageously by censors from the nomen omen Mysia Street - by convening a rally at the monument to Adam Mickiewicz.